1. 5.1 What Makes a Memoir?

2. CONNECTION Australian Walkabout
Rite of passage
Young person goes into wilderness alone for six months. Trace the path of their history (and ancestors) as a way to make the path forward
We will be doing a writing walkabout as we look back on our pasts and use it to figure out who we are.

3. TEACHING POINT
Today I want to teach you that writers prepare for new projects by taking time to study work that is the similar to what they want to make.

4. TEACHING
We need to study a finished memoir—like Eleven by Sandra Cisneros!

5. What they don’t understand about birthdays and what they never tell you is that when you’re eleven, you’re also ten, and nine, and eight, ad seven, and six, and five, and four, and three, and two, and one. And when you wake up on your eleventh birthday you expect to feel eleven, but you don’t. You open your eyes and everything’s just like yesterday, only it’s today. And you don’t feel eleven at all. You feel like you’re still ten. And you are underneath the year that makes you eleven. Like some days you might say something stupid, and that’s the part of you that’s still ten. Or maybe some days you might need to sit on your mama’s lap because you’re scared, and that’s the part of you that’s five. And maybe one day when you’re all grown up maybe you will need to cry like you’re three, and that’s okay. That’s what I tell Mama when she’s sad and needs to cry. Maybe she’s feeling three. Because the way you grow old is kind of like an onion or like the rings inside a tree trunk or like my little wooden dolls that fit one inside the other, each year inside the next one. That’s how being eleven years old is. You don’t feel eleven. Not right away. It takes a few days, weeks even, sometimes even months before you say Eleven when they ask you. And you don’t feel smart eleven, not until you’re almost twelve. That’s the way it is. Only today I wish I didn’t have only eleven years rattling inside me like pennies in a tin Band-Aid box. Today I wish I was one hundred and two instead of eleven because if I was one hundred and two I’d have known what to say when Mrs. Price put the red sweater on my desk. I wouldn’t know how to tell her it wasn’t mine instead of just sitting there with that look on my face and nothing coming out of my mouth. “Whose is this?” Mrs. Price says . . .
What do you notice about the types of writing you see here? Turn and talk.

6. TEACHING
Combination of narrative and essay. Memoirs don’t just tell stories. They also are writing about ideas. Cisneros tells the story of the red sweater but also writes ideas about how this makes a statement about herself.

7. LINK
Study the memoir samples. Notice storytelling and writing about ideas and opinions.
Ask “How does this memoir go? How do memoirs tend to go?

8. MIDWORKSHOP
Strategies for Generating Essay Entries
Strategies for Generating Personal Narrative Writing
We take a subject (a person, place, or thing) that matters to us and list ideas related to that subject.
We observe and then write, “The thought I have about this is…”
We let writing spark new thoughts, and we take those sparks and try to write new entries about them.
We reread our earlier writing and ask questions about earlier entries.
Think of a person who matters to you, list Small Moment stories connected to him/her, and write one.
Think of first times, last times, or times you realized something, list stories you could tell about each, and write one.
Think about a place that matters, list small moments that occurred in that place, and write one.
Think of a strong feeling. List stories of particular times you felt it and write one.
Live differently because you are a writer. Notice small moments, and capture them in entries.
Read the words another author has written and allow them to spark your own story ideas.
What are some of your ideas that you could use for your memoir?
Write at least one entry by the end of workshop today.