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Ancient History of Restorative Art
1288 – 1110 BC Egyptians: reincarnation Anubis:
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Egyptian Treatments Scars, Cuts Missing Eyes and Limbs Bowed Legs
Emaciation Broken Limbs Decubitus Ulcers
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Mummification Body covered in paste of resin and fat.
Surface contour restored.
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Middle Ages (5th – 15th Century)
No restorative art. Physicians cared for the privileged class.
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13th and 14th Centuries Post-mortem care of royalty and gentry:
removal of organs skin incised immersion in preserving liquids and powders not presentable for viewing
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Renaissance (14th – 17th Century)
Italy: death masks made of important people cast in hard wax and then hung in the church
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Renaissance (14th – 17th Century)
France and England death masks artistic “real” hair attached “puppet body” made of wicker effigy placed on top of casket
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US Civil War Dr. Thomas Holmes Plastic Surgery Plaster of Paris
Sculptor’s Clay and Window Putty Yellow Soap 1912: “Modern Era of Restorative Art”
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Reference to a Photograph
Mayer: pages 502 & 558 Klicker page 39 Professional portraits
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Reference to a Photograph
Snapshots Profile view
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Reference to a Photograph
Three-quarter View:
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Reference to a Photograph
Frontal view Inversion of the Photograph
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Highlight Shadow Normal Lighting Directional Lighting Flat Lighting
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Modeling Techniques Klicker page 65
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Concepts of Modeling Armatures: “framework, a material commonly of pliable metal or wood, employed to provide support for a wax restoration” Analyze before modeling. Size, Position and Form
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Concepts of Modeling Landmarks of Size:
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Concepts of Modeling Klicker page 65 and 66
Measurements in One Direction Configuration to a Pattern Rough Modeling Smoothing a Wax Surface Construction of Large Masses Surface Corrections by Additions
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Concepts of Modeling Surface Corrections by Reduction
Modeling by Silhouette Modeling the Profile Modeling the Bilateral Form
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