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Critical Viewing Mr. Lingman
SPECIAL EFFECTS Critical Viewing Mr. Lingman
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F/X An abbreviation for “special effects”
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IMAX A specialized, big screen file format about ten times larger than the traditional 35mm cinema format
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Glass Shot An elaborate set painted realistically on part of a pane of glass with the action shot through it, combining two images.
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MATTE SHOT The optical process of combining separately photographed shots onto one print.
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Stop-Motion Photography
A special-effects animation technique where figures or models are shot one frame at a time.
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CLAYMATION A more primitive form of stop-motion using moldable clay figures
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CGI Computer-Generated Imagery, the use of 3d computer graphics and technology in filmmaking to create images, special effects and the illusion of motion.
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MORPHING The transformation of one digital image into another with computer animation
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REAR PROJECTION A special effects technique to create backgrounds in which actors are filmed in front of a screen on which a background projected.
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BLUE SCREEN/ GREEN SCREEN
A process in which actors work in front of an evenly-lit, blue or green background screen.
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SUPERIMPOSITION An optical printing process that exposes one image on top of another.
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POSTSYNCHRONIZATION The post-production process of replacing unclear or garbled voices and sounds in a movie soundtrack; “dubbing”
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PYROTECHNICS The use of explosives of ballistics in film.
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FOLEY Any sound effect recorded on a foley stage, a sound stage which contains props and materials.
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