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South African Popular Music: Isicathamiya

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Presentation on theme: "South African Popular Music: Isicathamiya"— Presentation transcript:

1 South African Popular Music: Isicathamiya

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3 Two Sound Examples “Wimoweh” – The Weavers (est. 1948, with Pete Seeger) “The Lion Sleeps Tonight” – The Tokens (1961)

4 Isicathamiya (popular genre)
A capella vocal style Groups consist of 8-9 male vocalists Developed by Zulu migrant workers in South Africa Zulu influence: overlapping antiphonal harmonies in distinct ranges; ostinato-based form; sounds from Zulu language Slow tempi Include choreographed stepping Means “walking softly”

5 Solomon Linda ( ) Influenced by African-American popular musics; added to Zulu songs Composer of “Mbube” and originator of isicathamiya style in township slums Recorded Mbube with Gallo Records; sold 100,000+ by 1949 NOTE: ENGLISH COLONIZERS AND WHITE AFRIKAANERS IMPORTED AFRO-AMERICAN POPULAR MUSIC, INCL. RAGTIME; STRUGGLE OF AFRICAN-AMERICANS WAS INSPIRATIONAL TO OPPRESSED ZULUS - Play “MBUBE”; READ NYT ARTICLE Solomon Linda and the Evening Birds

6 Ladysmith Black Mambazo
Formed by Joseph Shabalala in 1960 as isicathamiya group Signed on with Gallo Records in 1972 Collaborated with Paul Simon in 1986 (“Graceland”) Name means the black/strongest axe from town of Ladysmith that will cut down all competitors

7 “Graceland” (1986) Paul Simon records 2 tracks with Joseph Shabalala and Ladysmith Became best selling album, launching Ladysmith’s international fame Controversy over collaboration during apartheid (UN cultural boycott of SA); on nature of collaboration SHOW MAKING OF HOMELESS CLIP


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