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Non-Harmonic Non-Chord Tones
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Notes that do NOT belong in a chord.
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Two types of approaches.
Two types of departures. #1 – By STEP Approach by step Depart by step Approach by step
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Two types of approaches.
Two types of departures. #2 – By SKIP
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Passing Tone – Fills in gaps by step
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Accented Passing Tone – Occurs on the beat
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Neighbor Tone – Moving by step up or down and returning to original note.
Unaccented Accented
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Neighbor Tone – Moving by step up or down and returning to original note.
Accented Unaccented
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Escape Tone – FIRE! Escape!! Step to the window and LEAP to the ground!
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Appoggiatura – Opposite from escape
Appoggiatura – Opposite from escape. Approach by SKIP leave by STEP, accented.
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Anticipation – So excited, the chord note is played early.
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Retardation – Keeps note same and steps up
Suspension – Keeps note same and steps down
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Suspension – Often includes figured bass numbers
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Changing Tone – Two successive NHTs
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Pedal Tone – Held or repeated note usually in bass, goes through consonant and dissonant harmonies
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Passing Tone PT Step Step Both NT Step Step Both Escape Tone ET Step
Name Abbv. Approach Departure Accented / Unaccented Passing Tone PT Step Step Both Neighbor Tone NT Step Step Both Escape Tone ET Step Skip Unacc Appoggiatura APP Skip Step ACC Anticipation ANT Step* Same Unacc Retardation RE Same Step Up ACC Suspension SUS Same ACC Step Dn Changing Tone CT Both Pedal Tone PD Usually Un
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