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Work Ready? Lanyards on and visible
Mobile Phones in bags, switched off or to silent Only bottled water on the table Coats on backs of chairs Bags on floor Notepads and pens at the ready…
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Unit 6: Critical Approaches to Creative Media Products
Objectives Explore narrative theory (linear, non-linear, enigma, climax, Todorov’s theory) Apply narrative theory to the development of your own idea. Analyse the narrative structure of a feature film. Introduce Assignment Brief
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Linear and Non-Linear Narrative
Breaking Bad Django Unchained
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Linear or Non-Linear Back to the Future Trilogy
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Linear or Non-Linear 28 Days Later
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Linear or Non-Linear Batman Begins
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Equilibrium Disruption
Recognition Repair Return
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Equilibrium Disruption
Recognition Repair Return
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Concept A monster that didn’t want to scare.
A robot that wanted to be loved. A rebel army fight an evil empire in space. A shark attacks and kills people on a tourist beach. A guy discovers that reality is simulated
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Controlling Line (A sentence with a B/M/E)
The top scaring monster realises that scaring is bad, so risks all to do the right thing. A lonely robot falls in love when he is visited by a robot from space and he travels to find her. A young boy, whose parents are murdered by the Empire, discovers his Jedi powers and uses them to defeat the empire’s base. A man discovers that reality is simulated and enters the real world to join the resistance and becomes the One
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Stage 1: Equilibrium Who is your protagonist?
What are there passions and fears? Establish time and location.
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Stage 2: Disequilibrium
Protagonist’s fears are realised. Protagonist’s passions are challenged. What is your disruptive event or person? Establish enigma.
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Stage 3: Recognition What action does your protagonist take to re-establish equilibrium?
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Stage 4: Repair What are progressive complications that are overcome?
What are there passions challenged further? Climax
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Stage 5: Restoration Return to equilibrium.
How has the protagonist changed? What is the moral or lesson?
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