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Contextual and Critical Studies
Stage 1 Semester 2 Jan to May 2008
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Reading Images
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and Objects
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‘Isms’ 1882 Manet Bar at the Folie-Bergeres ImpressionISM
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The STORY of Art Pre-history The Classical Period Medieval Art
The Renaissance The Baroque The Neo Classical Romanticism………….
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Ad infinitum Impressionism Post Impressionism Fauvism Expressionism
Cubism Surrealism Abstract Expressionism Minimalism
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Ad infinitismismismism…
MODERNISM POST-MODERNISM POST-POST-MODERNISM…
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“The End of the History of Art ”
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(H. Belting. The End of the History of Art. 1984)
Hans Belting – 1984 “- the commitment to the concept of all-embracing, universal ‘history of art’ – suddenly strikes us as peculiar” (H. Belting. The End of the History of Art. 1984)
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“Contemporary art is too pluralistic in intention and realization to allow itself to be captured along a single dimension” Danto there is “a recent loss of faith in a great and compelling narrative, in the way things must be seen” Belting
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the objects and images of the past can be, and have been, “read” in an increasing number of different ways - “no single approach can be definitive” (L. Schneider Adams. 1996)
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“When an article analyses the images of women in paintings rather than the qualities of the brushwork, or when a gallery lecturer ignores the sheen of the Virgin Mary’s robes, the new art history is casting its shadow” Rees, A. and Borzello, F
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Returning the male ‘gaze’
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….society uses design as a mode of social communication”
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Contesting contemporary power
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The End of the History of Art ? 1984.
Hans Belting “Our theme is rather the emancipation from received models of the historical presentation of art….” (AND design) The End of the History of Art ? 1984.
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Looking and Seeing more than before….?
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Some writers, some perspectives
Clement Greenberg Le Corbusier Roland Barthes Robert Venturi Walter Benjamin John Berger
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Lecture and Seminar 1 Lecture 1 Monday, 4 February 1.00pm
Lecture Theatre 225, Business School Seminar 1 Wednesday 6 Feb or Wednesday 13 Feb Come prepared, having done the reading
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