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POP ART
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POP ART’S CHARACTERISTICS
POPULAR VS. ELITIST MUNDANE, EVEN KITSCHY CELEBRATES THE ORDINARY DRAWS FROM AND REFLECTS ON BOTH THE THEMES AND TECHNIQUES OF POPULAR MASS CULTURE Advertising Comic books Cartoons
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REACTION TO ABSTRACT EXPRESSIONISM?
RETURN TO REPRESENTATIONAL ART CONCRETE VS. ABSTRACT CONTROLLED AND DETAILED PAINTWORK “INDUSTRIAL” PROCESS PARODY OF “FINE ART”
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THE POP ARTISTS ANDY WARHOL JASPER JOHNS CLAES OLDENBURG
ROY LICHTENSTEIN ROBERT RAUSCHENBERG
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ANDY WARHOL SILK SCREEN PROCESS MASS PRODUCED THE MASS PRODUCED
THE COMMODITY THE DEMOCRATIC IDEAL? OR THE LOST OF INDIVIDUALITY?
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MASS PRODUCING THE MASS PRODUCED
EVERYDAY PRODUCTS SOUP CANS COCA-COLA MONEY CELEBRITIES MARILYN MONROE ELVIS PRESLEY JACKIE KENNEDY
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MARILYN MONROE
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MARILYN DYPTYCH
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ELVIS TIMES THREE
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CAMPBELL’S TOMATO SOUP
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MORE SOUP
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JACKIE
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JASPER JOHNS INFLUENCED BY MARCEL DUCHAMP
IRREVERENCE FOR FIXED ATTITUDES ABOUT ART FLAGS, MAPS, NUMBERS, TARGETS INFORMAL BRUSHWORK OBJECTS ATTACHED TO OR BURIED BENEATH PAINTED SURFACE
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WHITE FLAG
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FLAG
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FLAG DETAIL
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THREE FLAGS
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TARGET
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CLAES OLDENBURG EVERYDAY OBJECTS IN GIANT SIZES OUTDOOR SCULPTURE
CONFRONTED CONCEPTS OF SCALE WHIMISICAL, YET PROVOCATIVE
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TYPEWRITER ERASER
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SPOONBRIDGE AND CHERRY
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SOFT DRUMSET
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ROY LICHTENSTEIN COMIC BOOKS GUM WRAPPERS BOLD COLORS THICK OUTLINES
“ARTICFICAL AS POSSIBLE” COMIC BOOKS GUM WRAPPERS BOLD COLORS THICK OUTLINES PAINTED IN OIL & MAGNA TO MIMIC PHOTOGRAPHIC REPRODUCTION ENLARGED BENDAY DOTS
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BENDAY DOTS
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DROWNING GIRL
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WHAAM
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WHAAM
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House I: an OPTICAL ILLUSION
the point that appears to be the nearest corner is the farthest from the viewer
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ROBERT RAUSCHENBERG ASSEMBLAGE: “COMBINES” LARGE SCALE PIECES
SILKSCREEN, LITHOGRAPH REMOVE BOUNDARY BETWEEN SCULPTURE & PAINTING QUESTIONS THE RELATIVE VALUE OF OBJECTS REJECTS SERIOUSNESS OF ABSTRACT EXPRESSIONISTS
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MONUMENT
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BACK OUT
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ROBERT RETROACTIVE I
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STONED MOON
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