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Published byClifton Dixon Modified over 6 years ago
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Sacred and Secular Imagery: The Masking Tradition
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Pablo Picasso, Les Demoiselles d’Avignon Oil on canvas, 1907
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Pablo Picasso, Les Demoiselle D’Avignon
(detail) 1907, oil on canvas Mbuya (sickness) mask, Pende, Zaire, Polychrome wood, 20th century
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Visual metaphors
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Nkisi Nkonde, Kongo Peoples, Zaire Wood, cord, iron, nails, feathers, pigment Natural fibers 20th century h. 83 cm
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Fante Linguists with staffs, Fante Region Ghana
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Stool with mudfish motif, bronze, Benin, Nigeria, Late Period
Metaphor of transformation, survival and continuity
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The mask is the mediating force at that delicate intersection
between the real and the imagined; the concrete and the imperceptible; The serious and the playful; the whimsical and the terrifying; the living and the dead Ancestral veneration/worship; mediation Rites of passage—education Social control—punitive; intervention; social harmony Entertainment—humor and satire.
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Ancestor Veneration
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Figure with Mask like Head,
Rock Painting, Tassili, 10,000 BP
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Oba William Ayeni, Orangun of Ila wearing the Great Crown (Ade Nla) with beaded Veil, Yoruba Peoples, Nigeria 20th cent
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Kuba King in full ceremonial
Regalia surrounded by Members of his family, BaKuba, Congo/ Zaire Early 20th cent.
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Chiwara Masquerades in performance during the agricultural cycle,
Bamana Peoples, Mali
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Education
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Sowei Headdress, Sande society, (Gola, Vai Peoples) Liberia Sierra Leone Wood, pigment 20th century
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Fire spitter mask (kponugu), Senufo, Ivory Coast
Wood, 20th century
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Social Control
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Gelede Headdress with two pythons attempting to swallow a tortoise
Yoruba, Nigeria, wood, pigment, 20th century
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Entertainment
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Masquerades, Yoruba, Nigeria, wood, cotton, 20th century
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