1. TEST # 2 Materials Follow Here
Nothing on the following slides will be used on Test # 1

2. Chapter Six
Music in the 16th Century

3. Secular Vocal Music (post 1520)
End of formes fixes
New Markets (Printing!)
Simpler rhythms - amateur performers
Intabulations
Parisian Chanson
Homorhythmic
Melody w/accomp.
Claudin de Sermisy,
“Tant que vivray” (Anth I/47)

4. (Italian) Madrigal
Revival of Petrach’s ( ) poetry - piacevolezza e gravità
Serious poetry in through-composed settings
Over 2,000 (!!) collections
Emphasis on text declamation
Word painting/Text painting
Jacob Arcadelt, “Il bianco e dolce cigno” [Anth I/48] - Madrigali a 4 voci, Libro 1 (No.1) (1539)
Text painting: “piangendo” [“weeping”] and “di mille mort’” [“a thousand deaths”] (cf. “la petite mort”)

5. Cipriano de Rore (1516-1565) Franco-Flemish - active chiefly in Italy
Multiple collections of madrigals published
Widely admired for progressive harmony & text painting (second practice)
“Da le belle contrade” (Anth I/49), 5vv publ. 1566

6. Maddalena Casualana (c. 1544-1583)
Female singer, lutenist & composer
66+ madrigals
3 published collections
1st WOMAN in Western music to be published!
“Morir non può il mio cuore” (1566) (Anth I/50)
Bio in text (p. 159)