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Alternative Format Access to Printed Material

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Presentation on theme: "Alternative Format Access to Printed Material"— Presentation transcript:

1 Alternative Format Access to Printed Material
Shifting the Responsibility to Producers Anthony Tibbs, B. Comm. (Hon.) LLB/BCL Candidate (McGill University) National Treasurer, Alliance for Equality of Blind Canadians Vice-President, Guide Dog Users of Canada / (514)

2 Introduction: Who am I? A student An advocate
Alliance for Equality of Blind Canadians Guide Dog Users of Canada Centre for Students with Disabilities (University of Ottawa) A self-employed individual A user of multiple formats

3 The “Right” To Information
“Access to information is a fundamental right of Canadians.” Really? Section 32 of the Copyright Act Exemptions are not limitless Does not allow large print copies Does not allow for commercialization of transcription and reproduction services Publishers precluding formats (Braille) Stringent requirements (“re-permission”)

4 Adapting Print Material
Scanning & OCR technology Positive impacts Challenges (errors, time, target format) NPO production decisions <5% of publicly available material Tends to exclude technical materials Exception: O’Reily Books & Bookshare.org “Special Formats” (DAISY, etc.)

5 The Role of Publishers Ideally, alternative format publication becomes part of production process Minimizes unit cost Not unlike cable television levies Less ideally, publishers commit to provision of “cleanest possible” e-files files to alt. format producers Either they do it, or we do, so ...

6 Do publishers care? Target market for any given book tends to be limited Population of PWD requiring alternative format materials even smaller Mainstream sources can help Audible.com, standard audiobooks Limited academic and professional use

7 Strategy Copyright exemptions & NPO production not succeeding (3-5% available) Target large, institutional purchasers Professors & educational purchasers Production vs. Facilitating production Libraries

8 Strategy (continued) Channel alternative format production funding into producer incentives Tie governmental grant funding for authors/publishers to accessibility requirements Development of new funding assistance initiatives e.g. Book Industry Development Program (BIDP) through Dept. Of Canadian Heritage K Industry

9 Conclusion Minimal availability of alternative format material (academic, technical, literary) Technological improvements and mainstream audio not complete solution Strategies Institutional purchasers demand accessibility Funding initiatives and incentives In short: Universal design!


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