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Published byPeter Pope Modified over 6 years ago
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Robot Improv : Using Drama to Create Believable Agents
Allison Bruce, Jonathan Knight, Samuel Listopad, Brian Magerko, Illah Nourbakhsh Robotics Institute, Carnegie Mellon
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Robotics Institute, Carnegie Mellon
Motivation Physical robots as believable agents Instead of modeling human behavior, model the behavior of actors Mechanism is known Designed for believability Robotics Institute, Carnegie Mellon
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Robotics Institute, Carnegie Mellon
Definitions Hero Villain Outer obstacles Inner obstacles Given circumstances Robotics Institute, Carnegie Mellon
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Robotics Institute, Carnegie Mellon
The Play Two robots in acting class Improvisation: an introductory exercise Robotics Institute, Carnegie Mellon
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Robotics Institute, Carnegie Mellon
Implementation Nomad Scouts Planner and motion control code written in Java 900 Mhz Radio Modems Text-to-speech synthesis software Robotics Institute, Carnegie Mellon
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Robotics Institute, Carnegie Mellon
Play Architecture Room Props Actors Inner obstacles Goals Behaviors Actions Robotics Institute, Carnegie Mellon
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Robotics Institute, Carnegie Mellon
Execution Loop Listen and Update Success function Inner obstacle perturbation and decay Choose Action 2-level hierarchical planner Act Sonar-based obstacle avoidance Communicate Position, Action, Dialog Robotics Institute, Carnegie Mellon
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Robotics Institute, Carnegie Mellon
Experiments First public performance April ’99 at CMU Performed at AAAI ’99 robotics exhibition times using 6 actor personalities Performed 18 more times at CMU for video documentation Robotics Institute, Carnegie Mellon
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Robotics Institute, Carnegie Mellon
Performances Robotics Institute, Carnegie Mellon
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Robotics Institute, Carnegie Mellon
Results Embodiment matters Improvisation relies on physical factors Possible improvements More sophisticated dialog selection Transitions between behaviors Public response Future work Longer, more complex plays Acting with humans Robotics Institute, Carnegie Mellon
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