1. Early in the morning, he sees a man ………… over a little girl. Mr
Early in the morning, he sees a man ………… over a little girl. Mr. ………… corners the man.
The man is evil-looking and d……….
The entire crowd wants to ………… the man, who responds with something along the lines of "I’ll give you ………… if you don’t kill me."
He disappears inside and emerges with a "cheque" for ………… , drawn from the bank account of a w ………… man.
The check is ………… .
Mr. Enfield speculates that the evil man is ………… the well-respected man.
Mr. Enfield says that he calls the place with the door " ………… House.“

2. EMOTIVE HEADLINE:
grab reader’s attention!
STRAP-LINE: additional information to the headline
STAND-FIRST:
Summarises the key events of story – either para or bulletpoints
Read through the excerpt of Enfield’s story about the girl, the collision, and the cheque. Create a splash front page for a tabloid newspaper (tone?) including an emotive headline, a strap-line (or two) and a stand-first.

3. The Authorial Intention in the story of the collision is to emphasise the horror and violence that Hyde inspires.
Why don’t we have his name until the end (“It was a man by the name of Hyde”, p10)?
How does Stevenson create a sense of horror in the collision between the girl and the man?
How does the description of the man, and the impact he has on others, intensify this horror?
How does the final squabbling about the cheque develop a sense of mystery and horror?

4. “The man trampled calmly over the child’s body and left her screaming on the ground” (7)
“A little man who was stumping along” (7)
“He was perfectly cool” (7)
How does Stevenson create a sense of horror in the collision between the girl and the man?
“It wasn’t like a man; it was like some damned Juggernaut” (7)
“It was hellish to see” (7)

5. How does the description of the man, and the impact he has on others, intensify this horror?
I gave a view halloa (7)
He was perfectly cool and made no resistance, but gave me one look, so ugly that it brought out the sweat on me like running. (7)
I had taken a loathing to my gentleman at first sight (7)
A kind of black, sneering coolness (8)
The sawbones [the cut and dry apothecary of no particular age and colour, p7] turned sick and white with the desire to kill him (8)
Carrying it off, sir, really like Satan (8)
The women... were as wild as harpies (8)

6. never saw a man I so disliked, and yet I scarce know why. He must be
How does the description of the man, and the impact he has on others, intensify this horror?
“There is something wrong with his appearance; something displeasing, something down-right detestable. I
never saw a man I so disliked, and yet I scarce know why. He must be
deformed somewhere; he gives a strong feeling of deformity, although I couldn’t specify the point. He’s an extraordinary looking man, and yet I really can name nothing out of the way. No, sir; I can make no hand of it; I can’t describe him. And it’s not want of memory; for I declare I can see him this moment.” (10)

7. “Killing him being out of the question, we did the next best
“Killing him being out of the question, we did the next best. We told the man we could and would make such a scandal out of this, as should make his name stink” (8)
“no gentleman but wishes to avoid a scene” (8)
How does the final squabbling about the cheque develop a sense of mystery and horror?
“Set your mind at rest... I will stay with you till the banks open and cash the cheque myself.” (8)
“Ten pounds in gold and a cheque for the balance on Coutts” (8)

8. The Authorial Intention in the story of the collision is to emphasise the horror and violence that Hyde inspires.
Why don’t we have his name until the end (“It was a man by the name of Hyde”, p10)?
How does Stevenson create a sense of horror in the collision between the girl and the man?
How does the description of the man, and the impact he has on others, intensify this horror?
How does the final squabbling about the cheque develop a sense of mystery and horror?