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Editing
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editing that provides a continuous and clear movement of events/images in a film as if they had occurred continuously when, if fact, they were shot out of sequence; also refers to the degree to which a film is self-consistent without errors
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continuity
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the thin strip of transparent plastic coating that forms the film’s highly-flammable, light-sensitive base layer; also used as an adjective related to some aspect of cinema or as a slang word for a movie
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celluloid
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a splicing together of two sections of film; the most abrupt transition between shots
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cut
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an uninterrupted section of film produced by a single running of the camera
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shot
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shot = close up: Ben speaking with woman
scene = close up: Mr. McGuire intercepts Ben on the stairs/tracking long to medium shot: Ben and Mr. McGuire outside by the pool sequence = Ben’s graduation party
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a series of shots that together comprise the smallest narrative unit of film
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scene
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a series of several scenes that together create a major emotional narrative in a film
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sequence
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a series of shots edited together to music, developing the theme or emotional mood in a film and to quickly span time, preserving the pace of a film
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montage sequence
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jump cut graphic match
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a shot of short duration
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short take
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a shot of long duration, not to be confused with a “long shot”
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long take
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the opening shot of a sequence which creates the context of setting or location
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establishing shot
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a close-up or medium shot that focuses on a particular character’s reaction to the events in a film
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reaction shot
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a close-up image inserted into a scene, usually to give the audience a closer look at what the character on screen is seeing, such as a letter or photo
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insert shot
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an abrupt, disorienting transitional device in the middle of a continuous shot in which the action is noticeably advanced in time, either a result of bad editing or done purposefully for artistic effect
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jump cut
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the editing technique of alternating, interweaving, or interspersing one narrative scene or sequence with another, usually in different locations to suggest parallel action
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cross cutting
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a transitional technique in which two shots are linked by visual, aural, or metaphoric similarities
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graphic match or match cut
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scenes at the beginning and end of a film that complement each other and help ties a film together
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bookends
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a shot transition in which the second image gradually appears on top of the first until the two are blended and the first image gradually disappears
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dissolve or mix
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a dark screeen that gradually brightens as a shot appears
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fade-in (fade-out)
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a round, constricting lens attachment that closes in the shape of a circle to end or begin a scene
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iris
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irismontag
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a shot transition in which a second shot slides its way into the frame while simultaneously horizontally, vertically, or diagonally pushing out the first
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wipe
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