1. MMJ 151 ‘Video’ Review These are considered most of the ‘most important’ – dominantly video focused— items likely to be on the test.
Answer would be here

2. A principle for composing shots where the screen is mentally divided by three equally separated lines horizontally and vertically.
Rule of thirds

3. OTA refers to ________ and OTT refers to __________
Over the air, over the top

4. MVPDs, Multichannel Video Program Distributors
Satellite, cable, and telco content providers are collectively referred to as ______
MVPDs, Multichannel Video Program Distributors

5. Related to modern TV broadcasting, the United States completed its national conversion to ________ in 2009.
DTV

6. UHD, Ultra Hgh Definition
4K-resolution TV is now commonly referred to as >>>>>>>>>
UHD, Ultra Hgh Definition

7. The start of what we now call the master shot method in film and matched action sequences in video, American filmmaker Edwin S. Porter is credited with developing ______ editing in By cutting to different angles of a simultaneous event in successive shots, the illusion of continuous action was maintained.
invisible

8. The ‘Academy Standard’ aspect ratio, that was the same for NTSC TV
4:3

9. The aspect ratio used for most theatrical movies since the 1960s
1.85:1

10. The aspect ratio used for DTV
1.78:1 / 16:9

11. Dish’s Sling app, plus streaming video services Netflix, Hulu, Amazon Prime, MLB.TV, YouTube Red (now YouTube Premium), CBSAllaccess, and Crunchyroll all fit into what we call ______ TV.
OTT / over the top

12. IoT stands for _____ and OVD for _____, and PPV stands for _____
Internet of Things / online video distributors / pay per view

13. A ______ is any effect, such as a dissolve, a fade or movement that is created digitally, rather than mechanically
DVE

14. A gradual change between black and a video image or from video to black.
fade

15. On a nonlinear editing system, the portion of the graphical interface of a nonlinear editing system where the editor will position the program’s video segments is called the
timeline

16. The transition known as the _______ is an instantaneous switch from one shot to the next and is the most common transition
cut

17. What is the term for a jarring transition that is created when two shots are cut together that are too similar in size, angle, and subject matter?
Jump cut

18. The term for a continuous time-signal that assigns a unique address to each frame of the recording.
Time code

19. In terms of editing, a video segment is known as a
clip

20. The transition known as the ________ is created by fading out one image as another image fades in. It often indicates the passage of time
dissolve

21. ___ is the ratio of footage recorded to footage actually used in a program.
Shooting ratio

22. A typically manual transition between two video images that can have many shapes, such as ‘vertical,’ ‘box’ or diagonal.
wipe

23. _______ refers to repeating a scene from enough different angles to ensure that a seamless performance can be maintained throughout multiple takes.
continuity

24. Commentary over video is known as:
Voice over

25. Interlaced scanning , 30 frames per second, 525 scan lines, 4:3 aspect ratio are technical specifications for what?
NTSC TV

26. _______ is defined as the distance from the optical center of the lens to the focal plane (target or "chip") of the video camera when the lens is focused at infinity.
Focal length

27. The standard motion picture film frame rate is ---- frames per second.24

28. The two major IPTV services.
FiOS and U-Verse

29. The two major DBS services.
DISH and DirecTV

30. The point of view of a camera shot in which the camera takes on the ‘eyes’ of a character:
Subjective / POV shot

31. A device that's come into wide use in the last decade is the camera  , essentially a long, highly maneuverable boom or crane-like device with a mounted camera at the end and the operator on the ground.
jib

32. Light level is measured in ________ is the U. S
Light level is measured in ________ is the U.S. and _________ elsewhere.
Footcandles / lux

33. TV's primary colors.
Red Green Blue

34. Th ‘three attributes’ that make up the video signal
Hue, saturation, luminance (or luma)

35. A camera shot that starts with one shot in focus, then changes the focus on another object in the shot.
Rack focus

36. Moving the camera lens up or down without moving the mount in relation to the subject being shot:
tilt

37. Moving a camera lens but not its mount left or right on the subject being shot:
pan

38. Dutch angle (or) canted angle
A shot has the camera intentionally tilted out of horizontal, to add power or emphasis to the shot.
Dutch angle (or) canted angle

39. Outdoor daylight color temperature, and in relation daylight balanced film, is based on what specific color temperature of light?
5500 degrees Kelvin

40. Standard indoor tungsten lights used in the TV studio have a color temperature of ---- degrees Kelvin.
3200

41. ------ is the range of distance in front of the camera that objects are in focus.
Depth of field

42. ---- are used in video cameras to show areas of the frame that are overexposed.
Zebra stripes

43. To move the camera and its base left or right on the scene being shot.
truck

44. To move the camera and its base in or out on the scene being shot.
dolly

45. To move the camera and its base in a semicircle left or right of the scene being shot.
arc

46. To change the height of the camera, moving the camera up or down on its mount.
Boom (or) pedestal

47. Shooting WS/MS/CU and other cut-in shots based on the content of the WS, as a means of getting matched-action edits that allows the action to appear to take place in real time.
sequences

48. A video transition where one image seems to push another one off the screen – vertical, diagonally, etc.
wipe

49. Placing the camera low to the subject and tilted up to get the shot is a _______ shot, while placing the camera above the subject and tilted down to get the shot is a _______ shot,
Low angle / high angle

50. Video is normally shot at _______, where the view of the camera is straight on to the subject being shot.
Eye level

51. Instead of using terms like MS and CU that can be misinterpreted, we often use what are called _______ to identify the bottom on the video space, like chest shot or waist shot.
Cut off lines

52. Giving a moving subject space in front of his/her movement on the screen.
Lead room

53. With a long depth of field, when one object, like the foreground object, is in focus while the background object is intentionally out of focus.
Selective focus

54. Some of the shot composition terms abbreviations include WS/MS/CU/ECU/MLS/MCU/OTS etc. that each stand for:
Wide shot / medium shot / close up / extreme close up / medium long shot / medium close up / over the shoulder shot

55. Typical video production commonly uses a(n) _____ lens, that has a variable focal length, while typical professional film style work commonly uses a ______ lens, that has a fixed focal length.
Zoom / prime

56. The standard mount for a video camera in the field, with three legs and no wheels is a ______, while in a studio, cameras are commonly mounted on a ______, allowing easy movements like trucks, arcs and dollies.
Tripod / pedestal

57. f/1.4 f/5.6 f/11 and f/22 are some standard ______ on lenses.
F-stops

58. Of optical vs. digital zooming, which is the only type that should be used for professional shooting?
optical

59. The general term for supplementary footage we shoot for a video project.
B-roll

60. Progressive scan / interlaced scan
For a video image, if it’s 720p, the ‘p’ stands for ---- and if it’s 1080i, the ‘I’ stands for  
Progressive scan / interlaced scan

61. Our raw footage when shooting good sequenced video should be generally the ratio of: _____% CU/MCU, ______% MS, and ___% WS
50 / / 25

62. See course outline to review all class content
Reminder: these represent most of the major terms in video production we covered, and a significant amount of the test is about basic audio (other review ppt) and video production.
See course outline to review all class content