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Comedy Archetype
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The story is set in a world of experience.
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The central metaphors are spring or rebirth.
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The hero/heroine shows the potential good in normal people.
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They are often young in spirit if not in years
They are often young in spirit if not in years. They display flexibility and wit.
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Other stock characters:
A buffoon -a clown or jester
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An Imp or facilitator
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The straightman, a killjoy, a churl
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There is a blocking force, usually an authority figure.
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In romantic comedies there is usually a romantic triangle, and one person must be displaced.
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There is often a matchmaker.
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There are often double plots.
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There is always a happy ending.
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Elements of humor: Incongruity Surprise Repetition Inversion
Language with two meanings Establishment of superiority Exaggeration Slapstick violence
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Elements of humor: Incongruity means out of place — something that doesn't fit in its location or situation. The art show patrons couldn't help but chuckle at the incongruity of a toilet sitting in the middle of an exhibition of Renaissance paintings. Surprise something is funny when it startles; build up atmosphere and raise anticipation, then run against it. Inversion a change in normal word order, such as the placement of a verb before its subject
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Common themes: Conflict between the weak and the strong and the weak wins Revival or renewal Nonconformity Escape Hope for a better society The common man overcomes all obstacles
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Common motifs and conventions:
Twins or cases of mistaken identity
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Clothing used to indicate social status
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Quirks, faults or imperfections
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Weddings
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Parties or celebrations
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Family traditions
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Misunderstandings
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Coincidence
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Mistiming
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Comedies have a specific archetype with common themes, plots, characters and conventions. They are NOT just anything that makes us laugh.
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Some films or stories that are very funny are not comedies at all
Some films or stories that are very funny are not comedies at all. They might be a satire that contains elements of humor.
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Remember that the elements of humor are only one part of the comedy archetype.
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Shakespeare’s comedies might not make modern audiences laugh, but because they contain all the required elements they are still considered comedies.
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