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Excursions in World Music Chapter 8: The Music of Sub-Saharan Africa
Thomas Turino © 2017 Taylor & Francis
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Sub-Saharan Africa Diversity: Over 800 ethnolinguistic groups
Many communities cross national boundaries Chapter highlights commonalities Then examines how they play out in specific contexts © 2017 Taylor & Francis
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General Principles of African Music
Rhythmic Complexity Interlock Dense, Overlapping Texture Buzzing Timbre Descending Melodic Lines Call and Response Cyclical, Open-Ended Form Ostinato Improvisation Community Participation Core and Elaboration Parts © 2017 Taylor & Francis
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Shona Bira Ceremony and its Function Spirit Possession “Nhemamusasa”
© 2017 Taylor & Francis
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The Pygmies Lifestyle Travel General Musical Practices Spirituality
© 2017 Taylor & Francis
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The Mande of West Africa
Social Hierarchy Jali Kora Social Function of Musical Performance © 2017 Taylor & Francis
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The Ewe of Ghana Society and Social Hierarchy Dance Clubs Performance
© 2017 Taylor & Francis
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The Buganda Kingdom Court of the Kabaka Music at the Court
Akadinda Entenga Colonial and Post-Colonial History © 2017 Taylor & Francis
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A Sampling of Instruments
Percussion Instruments Drums and “Drum Languages” Wind Instruments Stringed Instruments © 2017 Taylor & Francis
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Popular Muisc Syncretism Colonialism Mass-Production of Instruments
Mass Media Nationalism “World Beat” Phenomenon © 2017 Taylor & Francis
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Popular Muisc Highlife Palmwine Jùjú Congolese Rumba/Soukous
South Africa Isicathamiya Mbaq’anga Zimbabwe: Thomas Mapfumo © 2017 Taylor & Francis
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