1. Art History and Aesthetics… Why should I care?
INTRODUCTION:
Week 2
Art History and Aesthetics… Why should I care?
Critical reflection on art, culture and nature.

2. What is aesthetics?
is a branch of philosophy dealing with the nature of beauty, art, and taste, and with the creation and appreciation of beauty (or ugliness).
Well then, what is BEAUTY???

3. Beauty is…
Beauty is a characteristic of a person, animal, place, object, or idea that provides a perceptual experience of pleasure, meaning, or satisfaction.
Everyone has a different perception of what beauty is… What is an example of an experience of satisfaction through something off-putting? Would that make it beautiful instead?

4. Aesthetic Judgment
Immanuel Kant in 1790 wrote "If (a man) says that wine is agreeable he is quite content if someone else corrects his terms and reminds him to say instead: It is agreeable to me," because "Everyone has his own (sense of) taste".
Judgments of beauty are sensory, emotional and intellectual all at once.

5. How does this apply to art?
Aesthetic judgments are strongly influenced by time and culture.

6. What is art? the products of human creativity
the creation of beautiful or significant things
a superior skill that you can learn by study, practice and observation
the process or product of deliberately arranging elements in a way to affect the senses or emotions

7. Martha Knowles and Henrietta Thomas, My Sweet Sister Emma, 1843
Martha Knowles and Henrietta Thomas, My Sweet Sister Emma, Cotton quilt
Mark Rothko, No. 3/No. 13 (Magenta, Black and Green on Organge) Oil on Canvas

8. Why is art important?
Art can act as a means to some special kind of knowledge.
Art may give insight into the human condition.
Art serves as a tool of education, indoctrination, or enculturation.
Working on the intended value of art helps define the relationship between art and other acts. For example, medicine is a science and an art.

9. What is Art History?
Works of art are seen as embodiments of the values, goals, and aspirations of its time and place of origin.
Art historians seek to understand the meaning of art from the past within its original cultural contexts, both from the point of view of its producers as well as from the point of view of its consumers.

10. The Three Types of Investigation
1. Descriptive Analysis of subject matter and formal structure
2. Interpretation of meaning and understanding the content intended by the artist.
3. Judgement of the quality and success of the artist to produce a work that stimulates the intellect or fires the emotions.

11. Descriptive Analysis
Physical properties include shape, size, materials, and technique.
Most of this assessment is objective; what we see, what is “real and observable," a piece of art in relation to a space or place, etc.
To fully understand technique, date of creation, artists, etc scientific methods or documentary research may be needed.

12. Descriptive Analysis
Formal Analysis: an established method for analyzing works of art
Assess the visual elements/formal vocabulary that constitute the pictorial or sculptural communication
Discover the overall arrangement, organization or structure of an image (the composition.)

13. Interpretation
First we perceive “natural subject matter,” we recognize forms, objects and situations that are familiar to us from our own experience.
Then we use iconography to identify cultural, symbolic and conventional meanings specific to a particular time and place.

14. Judgment
Iconology – interpreting works of art as an embodiment of their cultural situation, to place them within broad social, political, religious and intellectual contexts.
This requires a deep understanding of the beliefs/values of the culture/time-period from which a piece of art came.

15. Week 2 Vocabulary Formal Analysis Composition Modeling Foreshortening
Axis
Iconography
Iconology
Still Life
Dendrochronology
Cultural Context