1. In Blockbuster Spectacles
Embodied Affect
In Blockbuster Spectacles
Steen Christiansen
@dissemination

3. What mode of seeing is present in Chris Nolan’s Batman trilogy?

4. Camera movement creates an immersion where “the viewer is not recentered but continually open and opened by movements (sensations) that pass through him/her” (Walsh 2004)

5. Battumbler

6. We do not identify with a character but with the force of movement – an intensity of sensation

7. The perceptual realism creates incredibly powerful sensations of bodily movement

8. Kinetics:
how the spectator embodies cinematic movement

9. Nolan’s kinetics are incredibly smooth and powerful; they make us feel in contro