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Gesture Drawing Emily Stokes
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Gesture Drawing is… “…an all-encompassing , simultaneous overview of the wholeness of forms and their relationship in space. It is energetic, flexible, nonlinear, nonspecific, intuitive, and constantly open to readjustment.”
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Why do we need to know anything about gesture drawing?
-you can convey a point or idea quickly and economically
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Gesture Drawing -Look at the subject, not the paper!
-Look for the longest line in an object – is it curved, straight? -Keep your hand and arm engaged with the page at all times -Move through the object, not around the edges -Vary the amount of pressure you apply to the drawing tool -Keep strokes rounded
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Virgin and Child Studies. Raphael. Pen and red chalk.
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Choose four words to describe this image…
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Tiepolo
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Rembrandt
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Federico Barocci, 17th century
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Michael Mazur, Figure Group, 1963.
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John Fischetti
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Scribbled Gesture Drawings
-Use a ball-point pen or pointed drawing tool -Never let your drawing tool leave the page -Use denser scribbles in darker shadows, and lighter/looser lines in well-lit areas -Don’t be afraid to be messy or over-exaggerate
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Alberto Giacometti
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Alberto Giacometti
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Mass / Mass and Line Gesture Drawing
-Use the broad side of your charcoal or crayon in addition to the tip of it
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Georges Seurat (example of mass gesture)
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Georges Seurat, 1884.
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Mass and line
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Sustained Gesture Drawing
-Begin by quickly blocking in the shapes and critical lines, as you would in a quick gesture drawing. -After two-three minutes of initial gesture, stop, examine your drawing in relation to the still life, and begin making edits. -Correct angles and lines -Add subtle tones by rubbing your finger or vine charcoal -Squint, and look for contrasts between light and dark
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Think of sustained gesture drawings as slightly more refined gesture drawings.
Start with same intensity as you would with a gesture, but then begin making key adjustments.
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Sandro Chia, Man Seated at Table. 1984
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Michael Mazur, Closed Ward #12, 1962. Aquatint
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William Kentridge
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NOT gesture drawing:
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