1. Music in the Medieval and Renaissance Eras
MU 111 Exam 2
Music in the Medieval and Renaissance Eras

2. Format of Exam 2 5 Listening IDs: Composer, Title, Period (Med or Ren)
3-4 Addition Listening Questions on Techniques from Reading and/or Class
Objective Questions
Choice of 2-3 Short Essay Questions

3. Composer Title Recording*
Medieval
Anonymous Chant: Vidernunt omnes (All the Ends of the Earth) (3)
Hildegard of Bingen O viridissima virga (O Greenest Branch) (4)
Leonin Organum:Viderunt omnes (All the Ends of the Earth) (5)
Machaut Since You Have Forgotten Me (6)
Quant en Moy (When I was first visited by Love) Web
Renaissance
Dufay Missa se la face ay pale, Kyrie (7)
Josquin des Prez Ave Maria (8)
El grillo (The Cricket) Web
Weelkes As Vesta Was from Latmos Hill Descending (10)
Arcadelt Il bianco e dolce cigno (The White and Sweet Swan) Web
Palestrina Pope Marcellus Mass, Kyrie (9)

4. Exam #2: Terms for Review
Gregorian Chant organum Leonin talea color chanson canon sogetto cavatto humanism plainchant melismatic neumatic chant madrigalism isorythmic technique soggetto cavatto Council of Trent responsorial antiphonal Triumphs of Orianna Organum (as a genre) Magnus liber organum style alternatim performance Syllabic chant Ordinary and Proper of the Mass Trouvére block chords a cappella Counter-Reformation strophic Renaissance motet vs. isorhythmic motet
point of imitation Medieval Authority Substitute Clausulae
cantus firmus sogetto cavatto tenor (in organum)
organum vs. discant style Ars nova rondeau polytextual
tripla/quadrupla refrain paraphrase technique
through-composed neumatic chant Medieval Musica enchiriadis
block homophony strophic form