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ViṢnu sahasra nĀma 1000 names of lord viṢnu
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ViṢṆu sahasra nĀma Viṣṇusahasranāma Reference
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma Reference Viṣṇusahasranāma With translation and commentary by Sri Swami Dayananda Saraswati Sri Sruti Seva Trust Arsha Vidya Gurukulam Anaikatti, Coimbatore Phone: or
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma The Viṣnu Sahasranāma stotram is given in the Bhīṣma parva of the Mahābhārata The Mahābhārata is presented as a dialog between Ugraśaravas and a group of Maharṣis headed by Śaunaka Ugraśaravas was the son of Sage Romaharṣaṇa Sage Romaharṣaṇa (otherwise known as Sūtapaurānika or Sūtaputra) was called Romaharṣaṇa because of his delightful and thrilling narrative style (story telling)
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ViṢṆu sahasra nĀma The context of the Mahābhārata…
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma The context of the Mahābhārata… A group of rṣis led by Sage Śaunaka were performing a yaga lasting for years (dīrgha yāga) in the Naimiśāraṇya forest When Ugraśaravas came to visit them the rṣis asked him (Ugraśaravas) to narrate to them anything new that he had come across in the course of his travels
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ViṢṆu sahasra nĀma The context of the Mahābhārata………..
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma The context of the Mahābhārata……….. Ugraśaravas related the Mahābhārata to the rṣis, which he (Ugraśaravas) had heard from Sage Vaiśampāyana Sage Vaiśampāyana had heard the story directly from Sage Veda Vyāsa himself, when Sage Veda Vyāsa was telling the story to King Janamajeya when Janamajeya was doing a sarpa-yāga King Janamajeya was the son of King Parīkṣit King Parīkṣit was the son of Abhimanyu Abhimanyu was the son of Arjuna
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ViṢṆu sahasra nĀma The context of the Mahābhārata………..
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma The context of the Mahābhārata……….. Essentially, the Mahābhārata is therefore a dialog between Ugraśaravas and Śaunaka, in which there is a dialog between Vaiśampāyana and Janamajeya Vaiśampāyana now brings out the dialog between Yudhiṣṭhira and Bhīṣma from the Mahabharata, where the Viṣnu sahasranāma stotra is presented
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma Sri Bhiṣma, the grandsire of the Kuru dynasty, laid down his arms on the 10th day of the 18-day Mahabharata War and was awaiting the beginning of the Uttarayaṇa (northward ascension of the Sun) to breathe his last All the Pandavas had great love and respect for Sri Bhiṣma even though he had fought on behalf of Duryodhana and had led the Kaurava army for 10 days Arjuna had created a bed of arrows on which Sri Bhiṣma rested
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma Yudhiśṭira, the eldest of the Pandava princes, knew that Sri Bhiṣma was a great devotee of Lord Kṛṣna and approached him to ask him six questions about how to achieve unity with the Lord (Self-Knowledge) and what path one should follow in conducting oneself to prepare for this knowledge Bhiṣma answered all of Yudhiśṭira’s questions Bhiṣma gave Yudhiśṭira (and through Yudhiśṭira to all of us) the Viṣnu sahasranāma stotram
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ViṢṆu sahasra nĀma Why chant the Lord’s (Īśvara) name?
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma Why chant the Lord’s (Īśvara) name? Īśvara is one who protects, sustains and is the source of blessing; Īśvara is limitless When one chant’s Īśvara name with devotion there is bound to be a benefit; there is a purpose in it Chanting Īśvara’s name helps us know the unchanging truth (sat) and know the limitlessness, which is our true nature Instead when one chants any other name (say of a time-bound limited individual or object) it becomes a mere obsession and only limited results (if any) are possible
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ViṢṆu sahasra nĀma Why chant the Viṣṇu sahasranama?
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma Why chant the Viṣṇu sahasranama? Chanting the Viṣṇu sahasranama stotram will bring prosperity to the individual – (Dharma-Artha-Kāma) It will bring peace & clarity to one’s mind so he/she can understand one’s place in the scheme of things (Īśvara’s order) A life lived in harmony with the Īśvara’s order in the universe prepares one’s mind to ultimately discover and know the sat-chit-ananda svarupa, which is our essential nature and lead one to discover the limitless freedom, which is one’s intrinsic nature - (Mokśa)
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma The Viṣnu Sahasranāma stotram consists of three sections Purva bhaga (introductory section) Stotram (main section) Uttara bhaga (concluding section) Additional concluding mantras are also chanted according to tradition (there may be variations)
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Sri Viṣnu Bhagavan What does Bhagavan mean?
It is Īśvara’s six-fold virtues (Bhagas) in absolute measure: Jnāna (all knowledge) Vairāgya (total dispassion) Vīrya (capacity to create, sustain & resolve) Yaśas (absolute fame) Śri (all wealth) Aiśvarya (overlordship)
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
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ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
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ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
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ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
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ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
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ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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ViṢṆu sahasra nĀma Stotram…
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma Stotram…
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
37
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
38
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
39
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
40
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
41
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
42
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
43
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
44
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
45
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
46
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
47
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
48
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
49
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
50
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
51
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
52
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
53
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
54
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
55
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
56
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
57
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
58
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
59
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
60
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
61
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
62
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
63
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
64
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
65
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
66
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
67
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
68
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
69
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
70
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
71
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
72
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
73
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
74
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
75
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
76
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
77
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
78
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
79
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
80
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
81
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
82
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
83
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
85
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
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The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
87
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
88
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
89
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
90
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
91
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
92
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
93
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
94
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
95
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
96
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
97
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
98
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
99
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
100
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
101
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
102
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
103
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
104
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
105
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
106
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
107
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
108
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
109
ViṢṆu sahasra nĀma The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata
110
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma
111
The Vishnu Sahasranaama was composed by Sri Veda Vyaasa, the author of the Puraanas, and we meet this great chant in his classical work, the Mahaabaarata, Prince Yudhisthira, the eldest of the pandavas, at the end of the war approached Bheeshma Pitaamaha, when the mighty grandsire of the Kuru family was lying on the bed of arrows, unconquered and in conquerable, awaiting the scared hour of his departure to the feet of the lord. Yudhishthira, the righteous, asked six questions, Bheeshma, the constant devotee of Krishna, the gigantic Man of Action, calmly answered them all. This is how we find the “Thousand Names of Lord Vishnu” introduced in the immortal classic of the Hindus, the Mahaabaarata ViṢṆu sahasra nĀma कायेन वाचा मनसेन्द्रियैर्वा । बुद्ध्यात्मना वा प्रकृतिस्वभावात् । करोमि यद्यत्सकलं परस्मै । नारायणरायेति समर्पयामि ॥ kāyena vācā manasendriyairvā buddhyātmanā vā prakṛteh svabhāvāt | karomi yad-yat-sakalam parasmai nārāyaṇāyeti samarpayāmi ||
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