1. Auditory Demonstrations

2. Contents Track Page Length

3. Introduction
Page 2

4. Section I. Frequency Analysis and Critical Bands
Page 6

5. Cancelled Harmonics
Track 1
Page 10
Length 1’33”

6. 2. Critical Bands by Masking
Track 2-6
Page 11
Length 1’5”

7. 3. Critical Bands by Loudness Comparison
Track 7
Page 13
Length 1’09”

8. Sound Pressure, Power, Loudness
Section II.
Sound Pressure, Power, Loudness
Page 15

9. 4. The Decibel Scale
Track 8-11
Page 18
Length 1’5”

10. 5. Filtered Noise
Track 12-16
Page 19
Length 1’50”

11. 6. Frequency Response of the Ear
Track 17-18
Page 21
Length 2’07”

12. 7. Loudness Scaling
Track 19-20
Page 23
Length 2’58”

13. 8. Temporal Integration
Track 21
Page 25
Length 2’02”

14. Section III. Masking
Page 27

15. 9. Asymmetry of Masking by Pulsed Tones
Track 22
Page 29
Length 1’31”

16. 10. Backward and Forward Masking
Track 23-25
Page 31
Length 4’18”

17. 11. Pulsation Threshold
Track 26
Page 33
Length 0’42”

18. Section IV. Pitch
A. Pitch of Pure Tones
Page 35

19. 12. Dependence of Pitch on Intensity
Track 27-28
Page 37
Length 0’48”

20. 13. Pitch Salience and Tone Duration
Track 29
Page 39
Length 0’50”

21. 14. Influence of Masking Noise on Pitch
Track 30
Page 41
Length 0’28”

22. 15. Octave matching
Track 31
Page 42
Length 1’46”

23. 16. Stretched and Compressed Scales
Track 32
Page 43
Length 0’59”

24. 17. Difference Limen or JND
Track 33
Page 44
Length 2’16”

25. 18. Linear and Logarithmic Tone Scales
Track 34-35
Page 46
Length 1’37”

26. 19. Pitch Streaming
Track 36
Page 48
Length 1’22”

27. B. Pitch of Complex Tones
Page 49

28. 20. Virtual Pitch
Track 37
Page 50
Length 0’41”

29. 21. Shift of Virtual Pitch
Track 38-39
Page 51
Length 1’08”

30. 22. Masking Spectral and Virtual Pitch
Track 40-42
Page 53
Length 1’28”

31. 23. Virtual Pitch with Random Harmonics
Track 43-45
Page 54
Length 1’03”

32. 24. Strike Note of a Chime
Track 46-47
Page 55
Length 1’22”

33. 25. Analytic vs Synthetic Pitch
Track 48
Page 56
Length 0’28”

34. C. Repetition Pitch
Page 57

35. 26. Scales with Repetition Pitch
Track 49-51
Page 58
Length 1’25”

36. D. Pitch Paradox
Page 59

37. 27. Circularity in Pitch Judgment
Page 59
Length 1’20”

38. Section V. Timbre
Track 52
Page 61

39. 28. Effect of Spectrum on Timbre
Track 53
Page 63
Length 1’17”

40. 29. Effect of Tone Envelope on Timbre
Track 54-56
Page 67
Length 2’16”

41. 30. Change in Timbre with Transposition
Track 57
Page 69
Length 0’46”

42. 31. Tones and Tuning with Stretched Partials
Track 58-61
Page 70
Length 3’05”

43. Beats, Combination Tones, Distortion, Echoes
Section VI.
Beats, Combination Tones, Distortion, Echoes
Page 72

44. 32. Primary and Secondary beats
Track 62-63
Page 74
Length 1’32”

45. 33. Distortion
Track 64-67
Page 77
Length 2’17”

46. 34. Aural Combination Tones
Track 68-69
Page 79
Length 1’35”

47. 35. Effects of Echoes
Track 70
Page 82
Length 1’47”

48. Section VIII. Binaural Effects
Page 84

49. 36. Binaural Beats
Track 71
Page 85
Length 0’42”

50. 37. Binaural Lateralization
Track 74-74
Page 87
Length 3’14”

51. 38. Masking Level Differences
Track 75-79
Page 89
Length 2’03”

52. 39. An Auditory Illusion
Track 80
Page 91
Length 0’38”

53. That’s All Folks