1. Fin & Countertop Sample Kit Instructions
November 11, 2013

3. Driver & RGB Controller Kit

4. Driver Kit

5. Driver Kit
RGB Remote Control
RGB Controller
Driver
Wall Plug

6. Driver Kit Two “whips,” one for the Fin, one for the Countertop
Plug the driver into the RGB Controller

7. Countertop Kit

8. Countertop Kit
Two LED options in heat sink / mounting profile. One White & one RGB.
Countertop (underside) with routed & painted channel

9. RGB LED strip has a black & white appearance when not lit

10. White LED strip has a yellow appearance when not lit

11. RGB with white material is the standard
RGB with white material is the standard. Place the heat sink with LEDs in the channel, with the LEDs facing the long direction of the panel.

12. In an actual installed order this heat sink would be attached to the material with DuoLock tape, which is extremely strong but is also removable for access to the lights

13. You can extend the kit over the end of a flat surface to demonstrate a recommended overlap for continual access to the lights.

14. Fin Kit

15. Fin profile with material inserted Valance cover and mounting hardware

17. Mounting hardware includes a silicone tube piece and a through-bolt
Mounting hardware includes a silicone tube piece and a through-bolt. There is also a spare valance to show how all of the hardware would be concealed in the fin

18. RECOMMENDATION: DO NOT ATTACH BOLT THROUGH MATERIAL OR SNAP ON THE VALANCES
Hole is drilled in the Chroma to accept the mounting bolt. The mounting bolt is included to illustrate how the material attaches, but to use other samples in the future the hardware has been left unattached.
Sample has a notch in it so it does not interfere with wiring. This is a fabrication detail that will exist in all finished fins

19. The notch in the corner of the Chroma is intended to not interfere with this soldered wire connection. However, the fin is sized large enough that you can drop another 8x8 sample into the channel to see how it lights and this sample will not interfere with the soldered connection

20. If you choose to keep the Chroma attached to the fin, put the silicone tubing in the hole first

23. The hole in the fin profile and the hole in the Chroma are drilled at the same time, so the bolt WILL fit through. If you have troubles, make sure the sample is all the way in the channel and that it is oriented so the corner notch fits around the soldered wire connection.

24. My recommendation is to keep the bolt in the fin for easy handling, but not pushed all the way in. If you push it all the way in it will become a little difficult to remove if you want to try different samples in the future. Also, in a standard application the bolt will be attached with a nut on the opposite side, which is then covered with a valance.

25. You can hold the valance up to show how it conceals all of the hardware, but DO NOT snap the valance into place or it can be very difficult to remove. You may damage it if you need to remove it. They are easier to remove in full heights.

26. RGB Usage and Demonstration

27. Plug one or both kits into the whips attached to the RGB controller

28. Notice the location of the pins to ensure you get a good connection, then lightly screw the threads together

30. Both whips for the Fin and Countertop are plugged in

31. Has 20 different color-changing programs already integrated
RGB Remote Control
Has 20 different color-changing programs already integrated
= Power On
= Power Off
Color Dial – Touch to select any gradient of color on the wheel

32. First program = solid, cool white color
Mode Button – Selects through all the pre-programmed color modes. It does not cycle through, so you need to move one direction and when the program no longer changes then go the other way. To get to the first program, repeatedly push the bottom button until the color is solid white.
First program = solid, cool white color
Second program (push the top button one time from solid white starting program) = flashes the same cool white color
Third program gradually cycles through all colors in a smooth way. This seems to be the best program to have running during a presentation

33. Speed Button – Speeds up or slows down the rate at which the selected program cycles
Brightness Button – Defaults to the brightest setting, and you can dim it down from there using this button

35. Both kits were designed so that you can show edge lighting with any 8x8 Chroma sample, and you will see how much light transmission can vary depending on the color of the material

37. White light with colored Chroma will light the edges white

38. Questions