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COLOR How we see it.

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Presentation on theme: "COLOR How we see it."— Presentation transcript:

1 COLOR How we see it

2 apple?

3 Apple!

4 How we see color

5 Exploring it’s history
COLOR Exploring it’s history

6 Man’s earliest marks Cave paintings

7 The middle ages

8 Illuminated Manuscripts
Color use is flat Techniques for applying color are simple Symbolic color

9 The Renaissance Chiaroscuro: value is more important than color

10 Raphael

11 16th century Value is still important but color is starting to be applied more grandly

12 Caravaggio Studying the effects of light

13 Vermeer

14 The 19th Century Color comes alive!!

15 Turner

16 Impressionism

17 Monet

18 Degas

19 Post-Impressionism

20

21 Corbet

22 Gauguin

23 Matisse

24 Fauvism

25 Chagall

26 Marc

27

28 Delaunay Orphism

29

30 Color Field

31 Frankenthaler

32 Rothko

33

34 Color Theory Review

35 The properties of Color:
HUE VALUE INTENSITY TEMPERATURE

36 **These hues make up the color wheel**
The name of the color itself (on the color wheel) 1. Primary Hues 2. Secondary Hues 3. Tertiary/Intermediate Hues **These hues make up the color wheel**

37 Lightness and darkness of a color
Value Lightness and darkness of a color Tint: lighter color-created by adding white Shade: darker color-created by adding black

38 Intensity Brightness or dullness of a color Prismatic: an intense hue
(Saturation or strength of a color) Prismatic: an intense hue Tone: less intense hue—created by adding gray or mixing complementary hues together

39 Warmth or coolness of a color
Temperature Warmth or coolness of a color Relative to the environment that a color is placed in—every color has temperature variations

40

41 Color Wheel Relationships
Create Color Schemes that artists intentionally use in their work Triad Complements Split Complements Analogous Monochromatic Warm, Cool

42 Triad Color Scheme Creates unity and balance

43 Complimentary Color Scheme
Creates contrast and interest

44 Split Complementary Color Scheme
Color plus the two hues on either side of the color’s complement Creates contrast

45 Analogous Color Scheme
Creates unity and harmony

46 Monochromatic Color Scheme
Uses only one hue plus black and/or white

47 Warm Color Scheme Uses only warm colors Colors range from yellow to
                                  Uses only warm colors Colors range from yellow to red violet Creates unity

48 Cool Color Scheme Uses only cool colors Colors range from
yellow-green to violet Creates unity


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