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Critical Approaches to Film

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Presentation on theme: "Critical Approaches to Film"— Presentation transcript:

1 Critical Approaches to Film
Lesson 9 Narrative recap The Last Picture Show

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4 Reminder Exercise draft deadline = 6th December
Exercise final deadline = 13th December Cover sheet on socs-media & on the website Submit by 4pm at Atrium Reception Use terminology Analysis not description Meaning generated through formal elements

5 Narrative Hollywood Art Cinema/ European Loose cause and effect
Strong cause-and-effect High degree of narrative closure Psychologically rounded, goal-driven characters Character subordinate to plot Fictional world governed by spatial and temporal verisimilitude Familiar rules, codes, conventions Heterosexual romance normally present as main plot or subplot Loose cause and effect Open/ambiguous endings Ambiguous characters, often lacking defined desires/goals Plot subordinate to character Psychological or social realism Experimentation (less formulaic)

6 Narrative

7 Alternative/post-classical Hollywood narrative

8 Peter Bogdanovich

9 the style of the film the principal themes the film’s representation of the past. Narrative: whether you can identify any influences from classical Hollywood and European art cinema


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