1. Week 12-1
Reauthoring NJ Kang

2. 1. Describe three types of reading
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5/25/2019

3. Three types of reading Preferred reading Negotiated Reading
Oppositional Reading
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4. Preferred Reading
Understand and accept story structure and characters from the authour’s view point
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5. Negotiated Reading
Understand and accept story structure and characters from the authour’s view point partially
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6. Oppositional Reading
Understand and accept story structure and characters from the Reader’s view point
 DECONSTRUCTION
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5/25/2019

7. Think about little red riding hood.
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8. Meaning
Was associated with immediacy of presence, especially apparent when using the inner voice of consciousness.

9. The inner voice of consciousness?

10. Logocentrism
The word was given final consciousness and without the mediation of presence or internal meaning.
Writing is indirect and removed from the silent conversation of consciousness

11. Phonocentrism
We speak the words of a text through dramatic modes, spoken words seem to come from a real being.
The logos of the text is deconstructed through the phonocentrism of voice and actor.

12. Dramatic arts
should be seen rather as a conversion or dialogue, as a mediator between text and audience

13. Deconstruction is the politics of
Metaphor.
A word is not taken at its face value nor can it be given a fixed meaning.
Table?
Including multiplicity and nonclosure

14. Re-authoring the text through drama
Reconstructing the taken for granted assumptions.
Gender
Race
Social positions
Social and cultural values.

15. An in-role position Is re-authoring in the drama.
Lifting a character out of the text, inserting a character based on the gender, race, and /or political interest, etc.