1. Auditory Demonstrations

2. Introduction Page 2 Section 1
Frequency Analysis and Critical Bands p-66
1. Cancelled Harmonics
T-1 p-10 L1’33” 2. Critical Bands by Masking
T-2, 3, 4, 5, 6 p-11 L-1’5”
3. Critical Bands by Loudness Comparison
T-7 p-13 L-1’09”

3. Introduction Page 2 4. The Decibel Scale
Section II. Sound Pressure, Power, Loudness p15
4. The Decibel Scale
T-8, 9, 10, 11, p L -1’5” 5. Filtered Noise
T-12, 13, 14, 15, p L-1’50” 6. Frequency Response of the Ear
T-17, p L-2’07” 7. Loudness Scaling
T-19, p L-2’58”
8. Temporal Integration
T L-2’02”

4. Introduction Page 2 Section III. Masking p-27
9. Asymmetry of Masking by Pulsed Tones T p-29 L-1’3
10. Backward and Forward Masking
T-23, 24, 25 p-31 L-4’18”
11. Pulsation Threshold
T p L-0’42”

5. Section IV. Pitch p-35 A. Pitch of Pure Tones p-35
12. Dependence of Pitch on Intensity
T-27,28 p L-0’48” 13. Pitch Salience and Tone Duration
T-29 p-39 L- 0’50”
14. Influence of Masking Noise on Pitch
T p L-0’28”
15. Octave matching
T p L-1’46”

6. Section IV. Pitch p-35 A. Pitch of Pure Tones p-35
16. Stretched and Compressed Scales
T p L-0’59”
17. Difference Limen or JND
T p L- 2’16”
18. Linear and Logarithmic Tone Scales
T-34, 35 P-46 L-1’37”
19. Pitch Streaming
T p L-1’22”

7. B. Pitch of Complex Tones p-49
Section IV. Pitch p-35
B. Pitch of Complex Tones p-49
20. Virtual Pitch
T p L-0’41”
21. Shift of Virtual Pitch
T-38, p L-1’08”
22. Masking Spectral and Virtual Pitch
T p-53 L-1’28”

8. B. Pitch of Complex Tones p-49
Section IV. Pitch p-35
B. Pitch of Complex Tones p-49
23. Virtual Pitch with Random Harmonics
T-43, 45 p-54 L-1’03”
24. Strike Note of a Chime
T-46, p L-1’22”
25. Analytic vs Synthetic Pitch
T p L-0’28”

9. Section IV. Pitch p-35 C. Repetition Pitch p 57
26. Scales with Repetition Pitch
T-49, 50, 51 p-58 L-1’25”
D. Pitch Paradox
27. Circularity in Pitch Judgment
p-59 L-1’20”

10. Section V. Timbre p-61 28. Effect of Spectrum on Timbre
T-53 p-63 L-1’17”
29. Effect of Tone Envelope on Timbre
T-54, 55, 56 p-67 L-2’16”
30. Change in Timbre with Transposition
T-57 p-69 L-0’46”
31. Tones and Tuning with Stretched Partials T-58, 59, 60, 61 p-70 L-3’05”

11. Section VI Beats, Combination Tones,
Distortion, Echos p-72
32 Primary and Secondary beats
T-62, 63 p-74 L-1’32”
33. Distortion
T-64, 65, 66, 67 p-77 L-2’17”
34. Aural Combination Tones
T-68, 69 p-79 L-1’35”
35. Effects of Echoes
T-70 p-82 L-1’47”

12. Section VII Binaural Effects p 84
36. Binaural Beats
T-71 p-85 L-0’42”
37. Binaural Lateralization
T-72, 73, 74 p-87 L-3’14
38. Masking Level Differences
T-75, 76, 77, 78, 79 p-89 L-2’03”
39. An Auditory Illusion
T-80 p-91 L-0’38”

13. That’s All Folks