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Architecture and Urban Landscapes

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Presentation on theme: "Architecture and Urban Landscapes"— Presentation transcript:

1 Architecture and Urban Landscapes
Fine Art Photography Chapter 8

2 Where It Began First Photos were of architecture because… it didn’t move and was always there Charles Negre – 1840 – artist and painter – Paris, used photos for reference for art, but loved so much, became a photographer Frederick Evans – British – 1890’s to 1920’s, English and French Cathedrals Eugene Atget, french sailor, 1890’s – 10,000 images around Paris – started in 40’s - genius

3 Charles Negre

4 Frederick Evans

5 Eugene Atget

6 Patterns Look for patterns everywhere Repetition of elements of art
Line, shape, texture, value, color, space, form Pattern in brick, design in carpet, window arrangements, Patterns enrich and strengthens photography by adding visual complexity

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8 Three methods of photographing architecture and urban landscapes
The big view The interior view The detail shot

9 The Big View Wide angle overall view
Photographer has to be far away or have a wide angle lens. Wide angle lens gives perspective distortion Farther away…let distortion Photographer decision to shoot from straight on or from slightly to the side of the building. View can see two sides if not from front

10 The Big View

11 Interior Views Overall shots of whole rooms or focus on smaller details Create portrait of people who live there or work there or go there Create indirect portraits of people Use wide angle lens Limited in places to put camera Most look better if all of interior is in focus May need tripod if low light situation Different lighting can create different moods

12 The Interior View

13 The Detail Shot Ignore the bigger view
Features individual architectural elements of interior and exteriors A door, steps, columns, carvings, brickwork become subjects Many interesting details above eye level – may need telephoto

14 The Detail Shot Exterior

15 The Detail Shot Interior

16 Shadows and Reflections
Shadows make interesting subjects They create lines, shapes and values of an object’s shadow Early morning and evening create more dramatic shadows Using reflections from windows is a good way to see skies, trees, and other buildings

17 Shadows

18 Reflections

19 Berenice Abbott (US )

20 Career Profile – Dan Forer http://www.forer.com/danforer.html

21 Create Your Indirect Portrait

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