4. Richard Diebenkorn
Nude,
1961

5. Value Darkness and lightness History of light and dark in artwork Tint
Shade
History of light and dark in artwork
Lightness
Darkness

6. Artemisia Gentileschi
Chiaroscuro
– Light and Dark
refers to clear tonal contrasts which are often used to suggest the volume and modeling of the subjects depicted
Often used dramatically
Artemisia Gentileschi
Judith and her Maidservant with the Head of Holofernes,
c. 1625

7. strong contrasts between light and dark

8. Michelangelo,
Head of a Satyr, c

9. Hatching and Cross-Hatching
Michelangelo,
Head of a Satyr, c

10. Source/Museum: Musée du Louvre, Paris. Giraudon/Art Resource, New York.
Medium: Pen and ink over chalk
Size: 10 5/8 x 7 ⅞ in.
Title: Head of a Satyr
Artist: Michelangelo
Date: c

11. Rembrandt van Rijn, The Three Crosses, 1653

12. Rembrandt van Rijn,
The Entombment,
1654

13. Chuck Close,
Robert/Fingerprint , graphite and stamp pad ink,
1978

14. Atmospheric Perspective
Started by Leonardo da Vinci
Rules state that:
Objects that are closer: Darker, richer, more defined
Objects that are farther away: lighter, diluted, less visually clear
From:

15. J.M.W. Turner, Rain, Steam and Speed, 1844

16. Rembrandt van Rijn, The Mill, c. 1650

18. Mary Cassatt,
In the Loge (At the Francais, a Sketch),
1879

19. Study for painting In the Loge Mary Cassatt 1880

21. Tint – the adding of white
Key
Pink Chrysanthemum Pat Steir
High Key
Tint – the adding of white

22. Shade – the adding of black
Night Pat Steir Chrysanthemum 1984
Low Key
Shade – the adding of black

23. Gray scale

26. Pierre Paul Prud’hon,
Study for La Source,
c. 1801

27. Pierre Paul Prud’hon
Study for La Source,
c. 1801

28. Delacroix, Study for Death of Sardanapalus, 1827-1828