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By: Susan M. Pojer Horace Greeley HS Chappaqua, NY
The Art of the Italian Renaissance By: Susan M. Pojer Horace Greeley HS Chappaqua, NY
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Art and Patronage Italians were willing to spend a lot of money on art. Art communicated social, political, and spiritual values. Italian banking & international trade interests had the money. Public art in Florence was organized and supported by guilds. Therefore, the consumption of art was used as a form of competition for social & political status!
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Charateristics of Renaissance Art
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1. Realism & Expression Expulsion from the Garden Masaccio 1427
First nudes since classical times.
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2. Perspective First use of linear perspective! Perspective!
The Trinity Masaccio 1427 Perspective! Perspective! Perspective! Perspective! Perspective! Perspective! Perspective! First use of linear perspective! What you are, I once was; what I am, you will become.
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The “Classical Pose” Medici “Venus” (1c)
3. Classicism Greco-Roman influence. Secularism. Humanism. Individualism free standing figures. Symmetry/Balance The “Classical Pose” Medici “Venus” (1c)
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Isabella d’Este – da Vinci, 1499
“First Lady of the Italian Renaissance.” Great patroness of the arts. Known during her time as “First Lady of the World!”
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5. Geometrical Arrangement of Figures
The Dreyfus Madonna with the Pomegranate Leonardo da Vinci 1469 The figure as architecture!
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Lorenzo the Magnificent
Cosimo de Medici
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Filippo Brunelleschi 1377 - 1436
Architect Cuppolo of St. Maria del Fiore
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Filippo Brunelleschi Commissioned to build the cathedral dome.
Used unique architectural concepts. He studied the ancient Pantheon in Rome. Used ribs for support.
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Brunelleschi’s Dome
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The Liberation of Sculpture
David by Donatello 1430 First free-form bronze since Roman times!
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David Verrocchio
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The Baptism of Christ Verrocchio, 1472 - 1475
Leonardo da Vinci
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Vitruvian Man Leonardo da Vinci 1492 The L’uomo universale
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The Renaissance “Man” Broad knowledge about many things in different fields. Deep knowledge/skill in one area. Able to link information from different areas/disciplines and create new knowledge. The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.
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1. Self-Portrait -- da Vinci, 1512
Artist Sculptor Architect Scientist Engineer Inventor
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Leonardo, the Artist The Virgin of the Rocks Leonardo da Vinci
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Leonardo, the Artist: From hisNotebooks of over 5000 pages (1508-1519)
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The Last Supper - da Vinci, 1498 & Geometry
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The Last Supper - da Vinci, 1498
vertical horizontal Perspective!
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Deterioration Detail of Jesus The Last Supper Leonardo da Vinci 1498
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A Da Vinci “Code”: St. John or Mary Magdalene?
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Leonardo, the Sculptor An Equestrian Statue
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Leonardo, the Architect: Pages from his Notebook
Study of a central church. 1488
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Leonardo, the Architect: Pages from his Notebook
Plan of the city of Imola, 1502.
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Leonardo, the Scientist (Biology): Pages from his Notebook
An example of the humanist desire to unlock the secrets of nature.
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Leonardo, the Scientist (Anatomy): Pages from his Notebook
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Leonardo, the Inventor: Pages from his Notebook
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Studies of water-lifting devices. A study of siege defenses.
Leonardo, the Engineer: Pages from his Notebook Studies of water-lifting devices. A study of siege defenses.
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David Michelangelo Buonarotti 1504 Marble
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What a difference a century makes!
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The Sistine Chapel Michelangelo Buonarroti 1508 - 1512
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The Sistine Chapel’s Ceiling Michelangelo Buonarroti 1508 - 1512
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The Sistine Chapel Details The Creation of the Heavens
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The Sistine Chapel Details
Creation of Man
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Joe Gallo in the New York Daily News, 2004
A Modern “Adaptation” Joe Gallo in the New York Daily News, 2004
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Baldassare Castiglione by Raphael, 1514-1515
Castiglione represented the humanist “gentleman” as a man of refinement and self-control.
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Betrothal of the Virgin
Perspective! Betrothal of the Virgin Raphael 1504
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Raphael’s Canagiani Madonna, 1507
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Raphael’s Madonnas (1) Sistine Madonna Cowpepper Madonna
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Raphael’s Madonnas (2) Madonna della Sedia Alba Madonna
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The School of Athens – Raphael, 1510 -11
One point perspective. All of the important Greek philosophers and thinkers are included all of the great personalities of the Seven Liberal Arts! A great variety of poses. Located in the papal apartments library. Raphael worked on this commission simultaneously as Michelangelo was doing the Sistine Chapel. No Christian themes here.
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The School of Athens – Raphael, 1510 -11
Da Vinci Raphael Michelangelo
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The School of Athens – Raphael, details
Plato: looks to the heavens [or the IDEAL realm]. Aristotle: looks to this earth [the here and now].
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Birth of Venus – Botticelli, 1485 An attempt to depict perfect beauty.
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