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Camera Techniques LO: You will be able to describe the effect that certain camera functions have on video footage You will apply some of these video production.

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Presentation on theme: "Camera Techniques LO: You will be able to describe the effect that certain camera functions have on video footage You will apply some of these video production."— Presentation transcript:

1 Camera Techniques LO: You will be able to describe the effect that certain camera functions have on video footage You will apply some of these video production techniques into your coursework Free resource created by

2 Look at the following images
Describe, using appropriate media terminology, the type of shot and the stylistic mise-en-scene elements used. LO: You will be able to apply some of these techniques into your coursework

3 Extreme long shot – composition of the shot and placement of actors in foreground and background to signify character. Light is quite bright/white in colour suggesting clarity – linked to the theme of the film. Can also comment on mise-en-scene and costume, colour. LO: You will be able to apply some of these techniques into your coursework

4 Natural lighting with strong blue hues
Natural lighting with strong blue hues. Character also has crumbled blue war paint to match his eyes – overall this connotes a moody, cold scene suggesting deep reflection. We are drawn to the character because of the use of close up – matted hair plaits suggests warrior status and possibly dates film LO: You will be able to apply some of these techniques into your coursework

5 Intertextual reference to Gladiator – walking through the corn fields
Intertextual reference to Gladiator – walking through the corn fields. Quite poignant with rich, warm gold hues and colours. The lighting is rich and embellished on the acrtresses skin with no hard contrast. Connotations of nature and summer shown in a mid shot. LO: You will be able to apply some of these techniques into your coursework

6 Shallow focus on the subject
Shallow focus on the subject. Slightly centred off frame with clear elements of his military uniform in shot. Juxtaposed against the background which remains light and out of focus, this is a contrast shot reflecting the character’s dark personality in a grand setting. Questions raised by the audience as to his rank and stature. Black and white used for effect. LO: You will be able to apply some of these techniques into your coursework

7 Low key lighting – not much of the wide shot is picked up from this image. Light is dull and highlights only snippets and shadows of a city backstreet, possibly late at night. Creates an eerie effect and makes the location seem deserted and run down, bins in foreground. LO: You will be able to apply some of these techniques into your coursework

8 High key, contrast lighting
High key, contrast lighting. The main subject is strongly lit emphasising his importance and the audience’s focus as a main character, juxtaposed against the coach who is in the dark and out of shot. Another good use of a mid shot revealing costume. Orange hues suggest a darkened room with one single bulb shining above the character, suggesting that he has had an epiphany or awakening. LO: You will be able to apply some of these techniques into your coursework

9 Another shallow depth of field shot showing our attention drawn to a long-shot of the gnome. This links to lighting and composition of objects to select our attention and consider the gnomes importance in the shot, who has been lit. LO: You will be able to apply some of these techniques into your coursework

10 What colours make up white?
The colour spectrum – light is made from all these colours

11 The light source is listed next to the degrees in Kelvin, both set against the colour of the light at each level. You will notice that the colour next to the Average noon daylight (5500K) is white. This is the colour temperature that colour film is balanced to which means that when shooting using daylight film the photograph will record white objects as white and all the colours in an image will appear natural on the film. If you shoot in conditions that measure a higher temperature the photo will start to become bluer and shoot in conditions below the 5500 temperature and they will increase in orange. The colours here don't just relate to daylight conditions artificial light also introduces a colour cast. With fluorescent lights this is often green and with tungsten lighting it will be yellow, while flash can be slightly blue. This is important to know to understand why some camera footage looks blue and harsh and some orange and grainy.

12 White Balance Function
There are ways to manually adjust the white balance to add or remove blue or orange. Using grey card, blue or orange paper can also help (point camera at paper and push WB button). By experimenting with the white balance button and manually configuring it against different light sources, you can see how you can create rich orange tones in Winter and cold, blue light in Summer.

13 Depth of Field This can affect where your attention is held – do you show everything or remain in control and selective. As a student, sometimes you don’t want your police interview room to look like it’s been filmed in sir’s office.

14

15 Shallow or deep?

16 Shallow or deep focus?

17 Manual focus and zoom You will learn how to adjust the automatic settings on the camera to alter things like depth of field Be thinking about shot composition – what is in the frame, what are you revealing to the audience and what are you keeping hidden. Experiment to see what happens when you get creative with how you compose shots (see gnome image as an example)

18 Audio Bad audio can ruin a well filmed production
Using an external microphone will eliminate background noise and pick up dialogue clearer, but you still need to know how to connect up the mic up to the camera.

19 Digital Effects Camcorders are built for home consumption, not for producing Hollywood movies In camera effects should be avoided, they are low quality quick fixes Experiment with them to get a feel, but do all your effects in the editing process because they can be undone! Solarise effect and the good old sepia tone. Get students to use their camcorders on their phones to illustrate how basic everything auto is and ask them to find manual functions.

20 Plenary Watch the following student production (any example you have access to) Identify what techniques have been used Analyse what works well and what doesn’t Suggest improvements Learning Outcome: You will be able to apply some of these techniques into your coursework

21 Feedback Write down two ways in which today’s session will help you
One individual target One group target Place this on the blog/research and planning .ppt HWK – continue to plan for filming next week Free resource created by


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