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Meta Warrick Fuller: A Female Perspective in the Harlem Renaissance

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Presentation on theme: "Meta Warrick Fuller: A Female Perspective in the Harlem Renaissance"— Presentation transcript:

1 Meta Warrick Fuller: A Female Perspective in the Harlem Renaissance
Meta Warrick Fuller, Ethiopia, ca. 1921, paint on plaster 13 x 3 ½ x 3 7/8 in National Museum of African American History & Culture Meta Warrick Fuller: A Female Perspective in the Harlem Renaissance Grace Nelson BGSU MA Art History

2 The H. H. Battles First Prize
Pottery Jardiniere The H. H. Battles First Prize Designed and Modeled by Meta Vaux Warrick, a Pupil of the School

3 Meta Warrick Fuller, The Talking Skull, 1939, bronze
Auguste Rodin, Crouching Woman, , bronze Meta Warrick Fuller, The Talking Skull, 1939, bronze

4 Meta Warrick Fuller, Mary Turner: A Silent Protest Against Mob Violence, 1919, painted plaster 15 x 5 ¼ x 4 ½ in Museum of African American History, Boston and Nantucket

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6 From The Book of America’s Making Exposition, 1921

7 “Here was a group who had once made history and now after a long sleep was awaking, gradually unwinding the bandage of its mummied past and looking out on life again, expectant but unafraid and with at least a graceful gesture.” Meta Warrick Fuller, Ethiopia, 1921, bronze 67x16x29 in Art and Artifacts Division, Schomburg Center for Research in Black Culture, The New York Public Library

8 Egyptian Old Kingdom, King Menkaure (Mycerinus) and queen, 2490-2472 B
Egyptian Old Kingdom, King Menkaure (Mycerinus) and queen, B.C.E., greywacke x 55.2 cm Boston Museum of Fine Arts

9 Meta Warrick Fuller, Ethiopia, 1921, bronze 67x16x29 in Art and Artifacts Division, Schomburg Center for Research in Black Culture, The New York Public Library


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