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LECTURE 3: “LIGHT”
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Daniel Chester French, “Head of Abraham Lincoln,” 1917
LEFT: as lit from below; RIGHT: as lit from above
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Gaston Lachaise, “Standing Woman,” 1932
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Barbara Hepworth, “Two Segments and a Sphere,” 1935
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“M E D I U M G R A Y” W H I T E B L A C K A “Grey-Scale”
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Luis Melendez, Still life with oranges and walnuts, 1772
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Caravaggio “Salome with the Head of John the Baptist,” 1609
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Scenes from The Rimers of Eldritch, (written by Lanford Wilson), lighting by Sean Hennessy, 2003.
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Joseph Niépce, “View from the Window at Le Gras,” 1827
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Louis-Jacques Daguerre, “Paris Street,” 1839
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Francesca Woodman, “Self Portrait at 13,” 1972
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Ara Güler, “A Bosphorous Ferryboat Departing from Kandilli in the Evening” (“Akşamüstü Kandilli'den Kalkan Boğaziçi Vapuru”), 1965
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Tim Noble and Sue Webster, LEFT: “Dirty White Trash (with Gulls),” 1998 RIGHT: “Real Life Is Rubbish,” 2002
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James Turrell, Alta (white), 1967
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Poul Henningsen, “Artichoke Lamp,” 1958
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Mary Huang, “Rhyme and Reason,” 2008
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Baillie Walsh, “Kate Moss Hologram” for Alexander McQueen’s Fall 2006 Collection
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Leo Burnett Advertising Agency, "Koleston Naturals Billboard," 2007
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James Irvine, “The Vitamin Bar,” Milan, ITALY, 2003
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Tadao Ando, “Church of Light,” Osaka, JAPAN, 1989
Louis Kahn, “Kimbell Art Museum,” Texas, USA,
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Nevzat Sayın, “Göksu Office,” Istanbul, 2006
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