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¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion.

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Presentation on theme: "¦Line Arrangements ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion."— Presentation transcript:

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2 ¦Line Arrangements

3 ¦l¦lead the eye along an obvious path ¦k¦keep the eye in continuous motion

4 ¦Line ¦m¦must never be broken

5 ¦Three forms ¦o¦of line arrangement ¦s¦straight line ¦c¦curvilinear ¦c¦contemporary free style

6 ¦Inverted T ¦v¦variation of equilateral triangle ¦p¦points of the design form an equilateral triangle ¦m¦makes use of negative space or areas without flowers

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8 ¦L Pattern ¦s¦similar to the right triangle ¦m¦more linear since the area between the two major points remains unfilled

9 ¦l¦lighter ¦m¦more stylized appearance ¦v¦vertical line is straight up ¦t¦the horizontal line is parallel with the table

10 ¦c¦creating a 90 degree angle where the two lines meet ¦m¦may be modified slightly ¦s¦slanting the vertical line to the left, horizontal line sweeps downward

11 ¦a¦a third line may be added to create a three-legged pattern

12 ¦Vertical arrangement ¦v¦very strong line ¦m¦makes a bold statement ¦e¦eye tends to continuously move up and down the arrangement

13 ¦t¦tall slender vertical arrangements are excellent for hospitals and nursing homes where space is limited

14 ¦Vertical arrangements ¦a¦attracts the eye while using a limited number of flowers

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16 ¦Crescent arrangements ¦a¦a portion of a circle ¦l¦like the moon in its first quarter ¦s¦sometimes compared to an animals horns

17 ¦t¦tips of each horn are pointed and curve down to join at the thicker center

18 ¦o¦one horn is longer than the other ¦u¦upper one is twice the length of the lower horn

19 ¦f¦focal point of this arrangement is where the base of the two horns meet ¦m¦may be viewed from one or both sides

20 ¦i¦if viewed from both sides ¦h¦horns would be finished with flowers

21 ¦i¦if viewed from one side ¦s¦some flowers should face backward to give the arrangement depth

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23 ¦Hogarth Curve ¦a¦also called an S curve ¦n¦named after the English painter William Hogarth

24 ¦Hogarth Curve ¦t¦three types of S curve arrangements ¦C¦Classical Vertical ¦D¦Diagonal S Curve ¦H¦Horizontal Curve

25 Contemporary Freestyle ¦g¦gives the designer the opportunity to express their creativity ¦b¦basic principles of design still apply

26 ¦g¦geometric forms can be used in contemporary freestyle ¦g¦great use is made of lines

27 ¦l¦lines, such as horizontal, vertical, spirals, curves and diagonals are very prominent

28 ¦d¦designers describe contemporary freestyle as personalizing what they have learned about different designs

29 ¦i¦involves placing flowers into a pleasing composition ¦w¦without falling into a particular design style

30 ¦m¦may mix several styles as long as one is not dominant


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