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AP Art History’s Greatest Hits: Part Two
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Mannerism Madonna With the Long Neck by Parmigianino 1535
Characteristics: Small oval head, long slender neck, long fingers Exaggeration Contains religious meaning
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Late Gothic Arnolfini and His Bride by Jan Van Eyck 1434
Characteristics: Almost every object portrayed sanctity Symbolism Purpose: Record and sanctify marriage Dog: Fidelity, Shoe: Holy Ground
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Northern Renaissance Knight, Death, and Devil by Albrecht Durer 1513
Characteristics: Knight = Christian Display strength, movement, and proportions of Renn equestrian statue Employed lines to evoke
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Baroque in Italy Calling of Saint Matthew by Caravaggio 1597-1601
Characteristics Jesus’ arm reminiscent of Michelangelo Piercing ray of light Realist and dramatic
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Baroque in Spain Las Meninas by Velázquez 1656 Characteristics:
Painter represented himself Visual and narrative complexity Represented form and shadow Tonal graduations: dark to light
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Baroque in Flanders/Holland
The Anatomy Lesson of Dr. Tulp by Rembrandt Van Rijn 1632 Characteristics: Evenly placed subjects Corpse: Diagonally placed and foreshortened Student poses and expressions show personality
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Baroque in France/England
Burial of Phocion by Poussin 1648 Characteristics: Figures: Solitary relief Light: Even and revealing Landscape is nature subordinated to a rational plan
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Rococo The Swing by Frangonard 1766 Characteristics:
“Intrigue” picture Landscape setting is out of Watteau Glowing pastel colors and soft light Convey the scene’s sensuality
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Later China Dwelling in the Fu Chun Mountains by Gongwang 1347-1350
Characteristics: Richly layered with brush strokes a At times interweaving dry brush strokes and at other times placing dry strokes over wet ones
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Later Japan Cuckoo Flying Over New Verdure by Yosa Busan
Late 18th Century Characteristics: Fully Mature Style Chinese and Japanese literati style by rounding the landscape forms
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Later Oceania Bisj Poles Early to Mid 20th Century Characteristics:
Served as a pledge to avenge a relative’s death Head-hunting raid Decorated with figures of individuals who have already died
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Later North America Kachina Figurine by Otto Pentewa 1959
Characteristics: Rain bringing deity who wears a mask painted in geometric patterns symbolic of water and agriculture fertility
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Later Mesoamerica Illuminated page from Borgia Codex 1400-1500
Characteristics: Two vividly gesticulating gods Ritual subjects God of life = black Quetzalcoatl
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Later South America Machu Piechu 15th Century Characteristics:
One of the world’s most awe-inspiring sights Inka City
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Later Africa Mbulu-nbulu Reliquary Guardian Figure
19th Century or Early 20th Century Characteristic: Severely stylized body said to have repelled evil Heads simplified Geometric ridges borders
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Neoclassicism Oath of the Horatii by David 1784 Characteristics:
Conflicts between heart and patriotism Statuesque figures- men: Rigid, Angular
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Romanticism (Spanish)
The Third of May 1808 by Goya 1808 Characteristics: Encouraged empathy of the Spanish by portraying horrified expressions and enhanced drama through stark use of darks and lights
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Romanticism Raft of the Medusa by Gericault 1818-1819 Characteristics:
Actual historical event Subdued palette and prominent shadow lend ominous pall to the scene Emotionally charged Comments on slavery Apathy
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Realism Le Dejeuner Sur L’Herbe by Manet 1863 Characteristics:
Figures in soft focus Broadly painted the landscape Black is a prominent color Allusions to many paintings of genres
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Impressionism Ballet Rehearsal by Degas 1874 Characteristics:
Figures randomly placed, not centered Degas was interested in reproducing single moments
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Post Impressionism Starry Night by Van Gough 1889 Characteristics:
Communicated the vastness of the universe Uses color to express himself With the turbulent brush strokes, the color suggests a quiet but persuasive depiction
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Symbolism The Cry (Scream) by Munch 1893 Characteristics:
Grounded in the real world Departs significantly from a visual reality
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Art Nouveau Casa Milá by Gaudi 1907 Characteristics: Free-form mass
Organic lines not geometric
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Fauvism Red Room by Matisse 1908-1909 Characteristics: Color = Warmth
Colors contrast richly and intensely Depicts objects in simplified and schematized fashion and flattening out form
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German Expressionism Fate of the Animals by Marc 1913 Characteristics:
Entire scene is distorted- Shattered into fragments Colors of severity and brutality of war’s anguish and tragedy
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Precisionism or Regionalism
My Egypt by Charles Demuth 1927 Characteristics: Grain elevators which he reduced to simple geometric forms Fragmented
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Cubism Still Life With Chair- Canning by Picasso 1912 Characteristics:
Chair seems real Painted and abstract areas don’t refer to tangible objects of the real world
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Futurism Unique Forms of Continuity in Space by Boccioni 1913
Characteristics: Formal and spatial effects on motion Figure is expanded, interruption, and broken in plane and contour
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Dada Cut With the Kitchen Knife Dada Through the Last Weimer by Hoch
Characteristics: Juxtaposed the head of German military leaders with exotic dancers Aware of the power that women and Dada had on society
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Fantasy and Surrealism
The Persistence of Memory by Dali 1931 Characteristics: Allegory of empty space: Where time has ended Attempt to make it convincingly real
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American Realism Haymarket by John Sloan 1907 Characteristics:
Ashcan school painters injected realism into American art by taking ordinary people as their subjects.
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Abstract Expressionism
No. 1 by Pollack 1950 Characteristics: Abandoned the paintbrush altogether sloshing, pouring, and dripping abandoned easel
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Color Field Blue, Orange, and Red by Rothko 1961 Characteristics:
Blue, Orange, and Red by Rothko 1961 Characteristics: Interested in the relation between one color and another No evidence of brushstrokes
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OP Art Three Flags by Jasper Johns 1958 Characteristics:
One of the first to rebel against abstract Expressionism by returning recognizable imagery to art
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Pop Art 100 Cans of Campbell Soup by Andy Warhol 1962 Characteristics:
Brought art to the masses by making art into everyday life
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Photo Realism Fanny Finger Painting by Close 1985 Characteristics:
One moment it’s a spitting image of a person, the next it’s an animated pattern of spots
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Neo Expressionism To The Unknown Painter by Keifer 1983
Characteristics: Thick, dark paint to represent earth Evokes the horror of the holocaust
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Post Modernism The Dinner Party by Judy Chicago 1979 Characteristics:
A feminist Last Supper Intended to interest worship of the female Triangle symbolizes both ‘woman’ and goddess Invited: Georgia O’Keefe, Virginia Wolfe, Sacagawea, Susan B. Anthony Post Modernism
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