1. Late Northern European Gothic By Tristan, Vanessa, Shaina, & Jessica

4.  The Well of Moses by Claus Sluter, Chartreuse de Champmol (monastery) (Dijon, France) 1395-1406

5.  Philip the Bold (a Duke of Burgundy, was very supportive of the arts) *this base supported a Crucifixion group above *wealth of descriptive information revealed (the promise of everlasting life as Christ’s “blood” washes over the prophets and cleanses them) *naturalism and differentiation in the textural surfaces.

6.  The Wilton Diptych, c. 1395, tempera on wood panel

7.  Limbourg Brothers. January, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination Created by the brothers as an advanced version of illuminated manuscripts. It displays objects of wealth

8.  Limbourg Brothers. February, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination bees, sheep and a dovecote(structure that houses doves or pigeons)

9. Limbourg Brothers. April, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination

10.  Limbourg Brothers. May, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination images of the aristocracy

11.  Limbourg Brothers. June, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination identifiable architecture laborers sometimes referred to as ‘Jacques Bonhomme’ as a derogatory term for the French peasants

12.  July  Works like this illustrated the relationship the powerful had with the peasantry.  The relationship was, at best, civil but peasants rose up against the elite in the late 14th century in some areas.

13.  Limbourg Brothers. August, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination peasants swimming in the nude

14.  Limbourg Brothers. St. Michael Battling the Dragon of the Apocalypse above Mont. St. Michel and Temptation of Christ, from Les Tres Riches Heures du Duc de Berry, 1413-16, illuminations

15.  Huntsmen Exercising and Brushing Dogs, from Livre de la chasse (written by Gaston Phebus), c. 1410, illumination

16.  Melchior Broederlam. Outer wings of the Retable de Champmol from the Chapel of the Chartreuse de Champmol (Dijon, France), installed 1399

17.  Melchior Broederlam two different architectural styles attempt to render deep space on a two- dimensional surface

18.  Attributed to Robert Campin (also known as the Master of Flamalle) Virgin and Child before a Firescreen, c. 1425, panel

19.  Master of Flemalle (Robert Campin). Merode Altarpiece, c. 1425-1428, oil on wood

20.  Robert Campin (Master of Flemalle)/ focus on textures and surfaces/ a prosperous middle-class interior/ Northern use of symbolism/ absence of halos

21.  Joseph and his mousetrap/ detailed view of a Flemish town

22.  kneeling donors/ concepts of truth and reality in Flemish painting

23. Merode’s Altarpiece