1. 20th CENTURY ART
EUROPEAN

2. CUBISM
Influenced by Cezanne's work on structure and form Employed fragmented forms and multiple viewpoints Flat, jagged shapes-like a piece of broken glass Rearranged compositions to explore shape Analytic Cubism-explore shape Synthetic Cubism-Collage Cubism Had a major influence on 20th Century art

3. PABLO PICASSO, Les Demoiselles d'Avignon, June-July 1907
PABLO PICASSO, Les Demoiselles d'Avignon, June-July Oil on canvas,
Flat planes-no sense of depth or chiaroscuro for bodies Multiple viewpoints-figures seen from different angles Note influence of African masks and Iberian statues Begins Picasso's movement toward Analytic Cubism

4. PABLO PICASSO, Still Life with Chair-Caning, 1912
PABLO PICASSO, Still Life with Chair-Caning, Oil and oilcloth on canvas
Synthetic Cubism
Incorporates oil cloth, chair caning, and rope

5. Painted to protest an atrocity during the Spanish Civil War
PABLO PICASSO, Guernica, Oil on canvas
Painted to protest an atrocity during the Spanish Civil War
Used fragmented forms and basic color scheme of black, white and grey to convey horror of the atrocity
Used a pyramid composition for dramatic effect

6. GEORGES BRAQUE, The Portuguese, 1911. Oil on canvas
Collaborated with Picasso in the development of Analytic and Synthetic Cubism

7. Cubist Sculpture

8. PABLO PICASSO, Maquette for Guitar, 1912
PABLO PICASSO, Maquette for Guitar, Cardboard, string, and wire (restored),

9. JACQUES LIPCHITZ, Bather, 1917. Bronze

10. ALEKSANDR ARCHIPENKO, Woman Combing Her Hair, 1915. Bronze

11. FAUVISM First appeared at the Salon d' Automne in 1905
Non-representational color to express feelings
Influenced by Gauguin and Van Gogh

12. HENRI MATISSE, Woman with the Hat, 1905. Oil on canvas

13. GERMAN EXPRESSIONISM Expressive use of color and shape
Two key movements-Die Brucke and Der Blaue Reiter
Die Brucke-bridge the distance between Germany's traditional art forms and the new 20th century art
Der Blaue Reiter-painters convey feelings about life and spirituality

14. ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907)
ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas
Disillusioned--expresses feelings of alienation
Garish use of colors

15. FRANZ MARC, Fate of the Animals, 1913. Oil on canvas
Paintings of animals
Colors express deeper emotional states

16. VASSILY KANDINSKY, Improvisation 28 (second version), 1912
VASSILY KANDINSKY, Improvisation 28 (second version), Oil on canvas,
First European artist to paint nonrepresentational works
Colors and lines represent musical concepts
Called his paintings improvisations and compositions

17. MAX BECKMANN Departure 1932-33 Oil on canvas triptych,
• Best known for a series of symbolic triptychs

18. FUTURISM Italian art movement Rejects classical and Renaissance art
Primary interest-modern technology, speed, motion
Exhibits elements of the following art styles:
• Cubism-fragmented forms
Fauvism-arbitrary use of colors
Sequential motion photography

19. UMBERTO BOCCIONI, Unique Forms of Continuity in Space, 1913 (cast 1931). Bronze,

20. GIACOMO BALLA, Dynamism of a Dog on a Leash, 1912. Oil on canvas

21. SEVERINI, Armored Train, 1915. Oil on canvas