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Published byGuillermo Hinde Modified over 10 years ago
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1400-1500 Italian
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Florence: Sculpture Medici: avid patrons 1 st impt commission was work not of Medici but wool guild for the east end of the baptistry Subject= Sacrifice of Isaac which prefigures the crucifixion Also sacrifice was linked to Florentine victory over Milan (Visconti)
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Brunelleschi vs Ghiberti
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Florence: Orsanmichele- 1410 Nanni Di Banco, Four Crowned Saints
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Donatello: St Mark, 1411, Orsanmichele, marble, 7’9”
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Donatello: St George, 1410, 6’10”
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Donatello: Feast of Herod, panel from Baptismal font, Siena Cathedral, 1423- 1427
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Donatello: Zuccone,
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Gates of Paradise: Ghiberti
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Donatello: David, 1408 marble & 1440, bronze
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Donatello: Mary Magdalene, wood, 1455
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Donatello: Gattamelata, 1445-1453, bronze, Piazza del Santo, Padua
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Verrocchio: David, 1465-1470, bronze,
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Verrocchio: Colleoni, 1481-1490, Campo dei Santi Giovanni e Paolo, Venice, bronze, 13’
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Fox vs Lion
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Pollaiuolo: Hercules and Antaeus, 1470-1475, bronze, 1’6”
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Pollauiolo:
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Painting Imitation Emulation Panel and mural painting International Gothic also persisted Perspective Sfumato Chiaroscuro Fresco cycles
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Fabriano: Adoration of the Magi, Strozzi Chapel, Santa Trinita, Florence, 1423, 10X9, Uffizi Gallery
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Masaccio: Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence, 1424-1427, fresco cycle
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Expulsion of Adam and Eve from Eden
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Masaccio: Trinita, Santa Maria Novella, Florence, 1424-1427, fresco, 21’10”X10.4” “I was once what you are, and I am what you will become”
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Fra Angelico: Annunciation, San Marco, Florence, 1438-1447, fresco
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Castagno: Last Supper, refectory, convent of Sant’Apollonia, Florence, 1447, fresco, 15’X32’
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Fra Fillippo Lippi: Madonna and Child with Angels, tempera on wood, 3’X2’, 1455, Uffizi
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Ghirlandaio: Giovanna Tournabuoni, 1488, oil and tempera on wood,2’6”X1’8”
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Ghirlandaio: Birth of the Virgin, Capella Maggiore, Santa Maria Novella, Florence, 1485- 1490, fresco cycle
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Uccello: Battle of San Romano, 1455, tempera on wood, 6’X10.5’
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Botticelli: Primavera, tempera on wood, 1482, 6’8”X8’10”
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Birth of Venus, 1484-1486, tempera on canvas, 6’X9’
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Princely Courts Money, power and fame Somewhat feudal in relationship Each prince had an entourage of staff in his court Visual imagery was propaganda Court artists emerge Create gifts for visiting authorities Rome, Milan, Mantua, Naples, Urbino etc
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Perugino: Christ Delivering the Keys to Saint Peter, Sistine Chapel, Rome 1481- 1483, 11’5” X 18’8”
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Signorelli: Damned Cast into Hell, Orvieto Cathedral, 1499-1504, fresco, 23’ wide
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Orvieto Cathedral
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Piero della Francesca: Enthroned Madonna and Saints Adored by Federico da Montefeltro, 1472- 1474, 8’2”X5’7”, oil on wood
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Mantegna: Camera Picta, Palazzo Ducale, Mantua, 1465-1474
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Ceiling of Camera Picta
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Mantegna: Dead Christ, 1500, tempera on canvas, 2’2”X2’7”
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