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MUSIC OFF THE RECORD: GYPSY NIGHTS Northwest Sinfonietta Dr. Ken Owen
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EXOTICISM What is Exotic to you? What are Gypsies? Where do they come from? What do they do?
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COSTUMES? AMUSEMENT PARKS?
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CREEPY FORTUNE TELLERS? HISTORY?
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GYPSIES IN EUROPE From Northern India to Eastern Europe 11 th -12 th centuries Not accepted remained nomadic & separate Spread through Europe Larger populations in Eastern Europe
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MISCONCEPTIONS, PERCEPTIONS AND NAMES Europeans thought they came from Egypt = Egyptsies gypsies German “Zigeuner” = untouchable Separate, mysterious, unapproachable
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EXOTICISM = PERCEPTION, NOT REALITY Many Gypsies in Hungary Hungarian = Gypsy? Music & other art about gypsies makes no attempt at accurate representation Excitement of unknown and different
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CSÁRDÁS Hungarian folk dance Danced by country girls in Inns of rural Hungary Aristocratic party promoters made it up! Verbunkos with inserted pop tunes
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CSÁRDÁS Verbunkos orginiated in 1700s Recruiting tool for army Gypsy bands forced to play for Gypsy girls to dance The style developed, stuck, and traveled through Eruope Michael McLean – a high school string teacher orchestrated a traditional csárdás http://youtu.be/yLZ3xkxqr-Q
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JAN VÁCLAV VOŘÍŠEK Born: May 11, 1791, Vamberk, Bohemia
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JAN VÁCLAV VOŘÍŠEK Dad was Schoolmaster Church organist Choir master Jan studied piano, organ, violin and composition w/father Prodigy – toured bohemia as a boy Played Mozart piano concertos & his own works Studied law at UP
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JAN VÁCLAV VOŘÍŠEK Gave up law for music Bohemia liked Mozart – Jan too Beethovenesque Vienna – success! Met Beethoven To Viennese Hungarian/Bohemian = gypsy Didn’t want to be “the gypsy composer” Studied Vienese composers to learn to not sound Hungarian Didn’t work – Viennese always thought of him as gypsy Died: November 19, 1825, Vienna, Austria
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SINFONIA IN D Jan’s only work for orchestra w/out piano Listen for instrument groups Back & forth Combine for climaxes Opening 3 note motive – Beethoven? Stormy scherzo in d minor http://youtu.be/yLZ3xkxqr-Q
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ANTONÍN DVOŘÁK Born: September 8, 1841 Nelahozeves, Czech Part of Bohemia = lower class culture Studied music as a boy with the village schoolmaster 12 yrs – had to quit to learn family trade – butchery 13 yrs – on his own to big city Learn German Better musical opportunities 16 yrs – Prague Organ school & viola in small orchestras
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ANTONÍN DVOŘÁK Worked his way up to Prague Opera orchestra 30s – composition competition to benefit “young, poor, and talented artists” Brahms = judge Dvorak won several times Friends w/Brahms – promoted his music.
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ROMANCE FOR VIOLIN AND ORCHESTRA Started as a string quartet Dvorak didn’t like it – wouldn’t publish it Publisher liked 2 nd movement – sounded gypsy Would sell well Dvorak reworked into the Romance
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ROMANCE FOR VIOLIN AND ORCHESTRA Melancholy tone Composed in same year that he lost 3 children http://youtu.be/W_KLj000nuA?t=30s Intentionally wrote Czech music Visited and taught in USA Died: May 1, 1904 Prague
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BÉLA BARTÓK Born: March 25, 1881, Nagyszentmiklós Hungary/Romania Father = amateur musician – cello & piano Mother = teacher & played piano Noticed young Bela’s talent when Mom taught him (5 yrs old)
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BÉLA BARTÓK 7 yrs old father dies Mom supports family w/piano lessons 10yrs – has composed and offered a place at Academy of Music in Budapest Mom wants him to stay home After regular schooling goes to Budapest Recognized as prominent pianist in Hungary
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BÉLA BARTÓK Proud Hungarian Recognized that composers using “Hungarian” folk music = pop music Studied Hungarian folk song – traveled, recorded, dictated Piano professor at BAM Composed music imitating folk song
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OLD HUNGARIAN DANCES Several large scale projects flopped Opera & others Publishers didn’t want any more Moved to Suburbs and wrote only a few piano pieces that year “Hungarian Peasant Songs” Subset of 9 movements titled “Old Dance Tunes” http://youtu.be/yT1gLnu4oyQ 2007 – Clark McAlister orchestrated as Old Hungarian dances
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BÉLA BARTÓK Disturbed by fascist governments in Italy and Germany Forbade his music to be broadcast in those countries Fled to USA Always wanted to go home Died: September 26, 1945, New York
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PABLO MARTÍN MELITÓN DE SARASATE Y NAVASCUÉS Born: March 10, 1844, Pamplona Last of the Paganini tradition
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SARASATE Father = Bandmaster 8yrs old – performing in public as a child prodigy Frequently asked to play for Queen Isabella II at the Royal Palace
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SARASATE Foremost Spanish violinist, toured Throughout Europe Russia Middle East North America South America Owned 2 Stradivarius violins Left to museums
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ZIGEUNERWEISEN (GYPSY AIRS) Like most Europeans, thought Hungarian = gypsy Traveled to Hungary to meet Liszt – Hungarian music please! List had a student who played a popular song that his father had written Sarasate used it to write Zigeunerweisen
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ZIGEUNERWEISEN (GYPSY AIRS) PLAGERISM! SCANDAL! LAWSUIT!
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ZIGEUNERWEISEN (GYPSY AIRS) Claimed it as Hungarian music and that he thought it was folk music Received a letter from the songwriter asking for credit Thereafter acknowledged the songwriter in credits
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ZIGEUNERWEISEN (GYPSY AIRS) Csárdás form Slow introduction – “lassu” – elaborate flourishes Inserted popular song – much simpler solo line Fast fiery fiddling – “friss” = gypsy fiddling http://youtu.be/xir-5oAWxXE
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THANK YOU AND ENJOY THE CONCERT! Dr. Owen Pierce College Puyallup Choralconductor.org “Lectures and presentations” tab
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