1. The Outlaws Progressive Country Music

2. During the late 1960s and early 1970s, mainstream country music was dominated by During the late 1960s and early 1970s, mainstream country music was dominated by –the slick Nashville sound, –hardcore country (Merle Haggard), and –blends of country and pop promoted on AM radio. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture. This movement was called progressive country. This movement was called progressive country.

3. Progressive Country Music Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) Their songs were more intellectual and liberal in outlook than their contemporaries’. Their songs were more intellectual and liberal in outlook than their contemporaries’. Artists were more concerned with testing the limits of the country music tradition than scoring hits. Artists were more concerned with testing the limits of the country music tradition than scoring hits. The movement’s key artists included The movement’s key artists included –Willie Nelson, –Kris Kristopherson, –Tom T. Hall, and –Townes Van Zandt. Not polished singers Not polished singers –They wrote distinctive, individualist songs and had compelling voices.

4. Progressive Country Music Developed a cult following, began to inch its way into the mainstream (usually in form of cover versions) Developed a cult following, began to inch its way into the mainstream (usually in form of cover versions) “Harper Valley PTA” “Harper Valley PTA” –Original by Tom T. Hall –Cover version by Jeannie C. Riley; Number One pop and country (1968) “Help Me Make It through the Night” “Help Me Make It through the Night” –Original by Kris Kristofferson –Cover version by Sammi Smith (1971)

5. Willie Nelson One of the most influential progressive country artists One of the most influential progressive country artists Born in Texas in 1933 Born in Texas in 1933 Developed a successful career as a professional songwriter in Nashville before moving back to Texas in 1971 Developed a successful career as a professional songwriter in Nashville before moving back to Texas in 1971 “Crazy” had been a Top 10 country and pop hit for Patsy Cline in 1961 “Crazy” had been a Top 10 country and pop hit for Patsy Cline in 1961 Settled in Austin, where he fit in with the local music scene Settled in Austin, where he fit in with the local music scene

6. Willie Nelson Bridged the gap between rock and country without losing touch with his honky-tonk roots Bridged the gap between rock and country without losing touch with his honky-tonk roots Rise to national fame came in the mid- 1970s through his association with a group of musicians collectively known as “the Outlaws” Rise to national fame came in the mid- 1970s through his association with a group of musicians collectively known as “the Outlaws”

7. “The Outlaws” and Waylon Jennings (1937 – 2002) Waylon Jennings was the centerpiece of the “the Outlaws.” Waylon Jennings was the centerpiece of the “the Outlaws.” Jennings began his career as a musician and disc jockey. Jennings began his career as a musician and disc jockey. In 1958, he joined Buddy Holly’s rock ’n’ roll group, the Crickets In 1958, he joined Buddy Holly’s rock ’n’ roll group, the Crickets In the early 1960s, he set up shop in a nightclub in Phoenix, where he developed a broad repertoire. In the early 1960s, he set up shop in a nightclub in Phoenix, where he developed a broad repertoire.

8. Waylon Jennings (1937–2002) In 1965, he was signed with RCA Victor and relocated to Nashville. In 1965, he was signed with RCA Victor and relocated to Nashville. –RCA producer Chet Atkins tried to push Jennings toward the countrypolitan style, but he resisted and eventually won substantial leeway in his choice of material. Jennings chose to remain close to the music industry in Nashville rather than return to Texas. Jennings chose to remain close to the music industry in Nashville rather than return to Texas. He cultivated his image as a rebel. He cultivated his image as a rebel. –1972 album Ladies Love Outlaws –On the cover, he appeared in “bad guy” dress—a black cowboy hat and a six shooter. The commercial potential of the outlaw image was tapped by the music publicists in Nashville. The commercial potential of the outlaw image was tapped by the music publicists in Nashville.

9. The Outlaws Never a cohesive performing group Never a cohesive performing group The label “outlaw country” was largely a product of the record industry to capitalize on the overlap of rock and country music. The label “outlaw country” was largely a product of the record industry to capitalize on the overlap of rock and country music. Wanted: The Outlaws (1976) Wanted: The Outlaws (1976) –A compilation album of Waylon Jennings’s and Willie Nelson’s early-1970s recordings –Included a mix of material, from country music classics like “T for Texas” to a cover of the Elvis Presley song “Suspicious Minds” and the novelty song “Me and Paul” –Huge success—Top 10 on Billboard’s LP chart –Became the first platinum country music LP –Eventually sold over two million copies

10. Townes Van Zandt (1944–97) Born in Fort Worth, Texas Born in Fort Worth, Texas Singer-songwriter who became a cult hero of the progressive country movement Singer-songwriter who became a cult hero of the progressive country movement Never placed a record on the country Top 40 charts, but his fifteen LPs became underground classics Never placed a record on the country Top 40 charts, but his fifteen LPs became underground classics

11. “Pancho and Lefty” From his LP The Late Great Townes van Zandt (1972) From his LP The Late Great Townes van Zandt (1972) Typical of his work: Typical of his work: –Spare, unpolished vocal style –Guitar accompaniment with more complex harmonies than typical country music –Song fits within the European-derived ballad tradition The song evokes an old Spanish tradition that took root in Mexico, the corrido. The song evokes an old Spanish tradition that took root in Mexico, the corrido. –Typical ballad form with a series of four-line stanzas that tell a story about famous villains and heroes, historical events, or tragic romances.

12. “Pancho and Lefty” Four-line stanza serves as a framing device—singer seems to be addressing a character in the story: Four-line stanza serves as a framing device—singer seems to be addressing a character in the story: Living on the road my friend Was gonna keep you free and clean Now you wear your skin like iron Your breath's as hard as kerosene You weren't your mama's only boy But her favorite one it seems She began to cry when you said goodbye And sank into your dreams

13. “Pancho and Lefty” Third-person voice of the typical ballad: Third-person voice of the typical ballad: Pancho was a bandit boys His horse was fast as polished steel Wore his gun outside his pants For all the honest world to feel Pancho met his match you know On the deserts down in Mexico Nobody heard his dying words That's the way it goes All the federales say They could have had him any day They only let him hang around Out of kindness I suppose

14. “Pancho and Lefty” Lefty he can't sing the blues All night long like he used to The dust that Pancho bit down south Ended up in Lefty's mouth The day they laid poor Pancho low Lefty split for Ohio Where he got the bread to go There ain't nobody knows All the federales say They could have had him any day They only let him slip away Out of kindness I suppose

15. “Pancho and Lefty” The poets tell how Pancho fell Lefty's livin' in a cheap hotel The desert's quiet and Cleveland's cold So the story ends we're told Pancho needs your prayers it's true, But save a few for Lefty too He just did what he had to do Now he's growing old A few gray federales say They could have had him any day They only let him go so wrong Out of kindness I suppose

16. Townes Van Zandt Died prematurely at age fifty-two Died prematurely at age fifty-two His songs combine the straightforwardness of traditional country music with poetic subtlety of singer- songwriters such as Bob Dylan. His songs combine the straightforwardness of traditional country music with poetic subtlety of singer- songwriters such as Bob Dylan. His music has inspired country and rock musicians from Lyle Lovett to Neil Young. His music has inspired country and rock musicians from Lyle Lovett to Neil Young.