Download presentation
Presentation is loading. Please wait.
Published byYesenia Sammon Modified over 10 years ago
1
Creative leadership and intercultural understanding Creative leadership and intercultural understanding
2
Relationships Intercultural education Culture Leadership
3
Global citizenship
4
Excluded from global citizenship Excluded from global citizenship
5
Tentative global citizenship
6
Secure global citizenship
7
What kind of global citizens are our students? With whom do our students have most in common?
8
Student demographics 50 nationalities represented
9
Teacher demographics 26 nationalities represented Other Nationalities Chinese French Spanish German Japanese Paraguan Argentinian Belgian Colombian Costa Rican Finnish Korean Malaysian Phillipino Salvador Swedish Taiwanese
10
Australian countries of origin increase 2004-11
11
Australian food court preferences Australian food court preferences
12
A shifting focus in education A shifting focus in education
13
Academic learning
14
Apprenticeship learning
15
Breakpoint and beyond 2000
16
3-5 year olds geniuses 98%
17
8-10 year olds geniuses 32%
18
13-15 year olds still geniuses 10%
19
Over 25 year olds geniuses 2%
20
Michael F. Shaughnessy Schools seem to be educating children out of creativity yet the correlation between childhood CQ with adult achievement is three times greater than IQ
21
Yong Zhao Ranking by PISA score and perceived entrepreneurial ability
22
Transcultural education
23
What is a curriculum? Curriculum is a framework for the kind of learning you want to happen
24
Curriculum options Standards and Content Assessment and Matriculation Competencies Concepts Character Pedagogy and Methods
25
Transcultural curriculum Focus on action Teaching affective skills Global contexts a default Problem based and product–oriented learning Social entrepreneurship
26
International schools worldwide 1,582 2,945 1,220 1,270 46% claim an “internationally oriented” learning approach
27
Growth of the IB If the IB authorization rate continues, the IBO expects a worldwide tally of “10,000 schools and 2.5 million students enrolled in IB programmes by the year 2020”. 680,000 students 3,870 IB World Schools 147 countries
28
Growth of for-profit international schools 766,000 Students in for-profit schools in 2001 2,400,000 Students in for-profit schools in 2010 225% Increase between 1998-2008
29
A growing need for educators +250,000 international educators will be needed within the next 10 years
30
Creative system-Czsiksentmihalyi Creative system-Czsiksentmihalyi The educational domain
31
Creative system-Czsiksentmihalyi Creative system-Czsiksentmihalyi The field of education
32
Creative system-Czsiksentmihalyi Creative system-Czsiksentmihalyi The educator
33
Culture and creativity Bilingualism and first/second generation immigrants (Nemeth and Swan, Simonton)
34
Culture and creativity Deep immersion in a novel culture (Leung, Maddux, Galinsky and Chiu)
35
Cross cultural experiences Cross cultural experiences (Weisberg) Deep immersion in a novel culture New ideas and concepts Same form has different functions De-stabilize routine responses May seek out diverse ideas on return Incongruent concepts lead to new perspectives
36
Culture and creativity Culture and creativity (Hofstede) Cultural norms relating to ‘world views : Individualism-collectivism Masculinity-femininity Power distance Uncertainty avoidance Willingness to make sacrifices
37
Confront or elaborate on a problem
38
Processing conflict
39
Leadership status
40
Relationships
41
Sense of self
42
Cultural and stylistic norms? Cultural and stylistic norms?
43
Norms for creativity Cultural intelligence and agility Collaborative norms Clarity on the role of innovation
44
An international educator ‘My mum was very different to most parents in China, because she always encouraged me to take risks. Especially she always told me, "You are great." It's not like some parents say, "Stay humble. Don't recognize you are great." My mum always said, "You're great; you can do it.”
45
Diverse multicultural teams Kaleidoscope thinking Ambience Negative affective reactions More time for complex tasks Need managing
46
Stoll and Temperley The status quo is a very compelling state. So what might help promote the creativity needed for schools to be successful and children to achieve? School leaders need to be able to unlock creativity in their staff in order to enhance learning. And to lead a creative school, you need creative leadership.
47
What really triggers creativity?
48
Amabile componential model of creativity Domain relevant skills
49
Amabile componential model of creativity Creativity-relevant processes
50
Amabile componential model of creativity Task motivation
51
Amabile componential model of creativity Surrounding social environment
52
Czikszentmihalyi 1997 Preparation Incubation Insight Evaluation Elaboration
53
Stoll and Temperley Model creativity and risk taking
54
Stoll and Temperley Stimulate a sense of urgency
55
Stoll and Temperley Expose colleagues to new thinking and experiences
56
Stoll and Temperley Self consciously relinquish control
57
Stoll and Temperley Provide time and space
58
Stoll and Temperley Promote individual and group creative thinking and design
59
Stoll and Temperley Set high expectations about the nature and degree of creativity
60
Stoll and Temperley Use failure as a learning opportunity
61
Stoll and Temperley Keep referring back to core values
62
Missions, expeditions and diverse opportunities
Similar presentations
© 2025 SlidePlayer.com. Inc.
All rights reserved.