1. Cai Guo-Qiang. Footprints of History: Fireworks for the Opening Ceremonies of the 2008 Beijing Olympic Games © Cai Studio. [Fig. 1-1]
Cai Guo-Qiang. Footprints of History: Fireworks for the Opening Ceremonies of the 2008 Beijing Olympic Games © Cai Studio. [Fig. 1-1]

2. Herzog & de Meuron. The Bird’s Nest—Beijing National Stadium. 2004–2008. © Xiaoyang Liu/Corbis. [Fig. 1-2]
Herzog & de Meuron. The Bird’s Nest—Beijing National Stadium. 2004–2008. © Xiaoyang Liu/Corbis. [Fig. 1-2]

3. Zhang Hongtu. Bird’s Nest, in the Style of Cubism. Oil on canvas
Zhang Hongtu. Bird’s Nest, in the Style of Cubism. Oil on canvas. 36 × 48 in. © Zhong Hongtu Studio. [Fig. 1-3]
Zhang Hongtu. Bird’s Nest, in the Style of Cubism. Oil on canvas. 36 × 48 in. © Zhong Hongtu Studio. [Fig. 1-3]

4. Georges Braque. Soda. 1912. Oil on canvas. 14-1/4 in. diameter
Georges Braque. Soda Oil on canvas. 14-1/4 in. diameter. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. Acquired through the Lillie P. Bliss Bequest. The Museum of Modern Art, New York, NY, U.S.A. [Fig. 1-4]
Georges Braque. Soda Oil on canvas. 14-1/4 in. diameter. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. Acquired through the Lillie P. Bliss Bequest. The Museum of Modern Art, New York, NY, U.S.A. [Fig. 1-4]

5. Yayoi Kusama. You Who Are Getting Obliterated in the Dancing Swarm of Fireflies Mixed Media. The Phoenix Museum of Art, Phoenix, Arizona. Museum purchase with funds provided by Jan and Howard Hendler ( ). Photo by Ken Howie. Courtesy Yayoi Kusama Studio, Inc. [Fig. 1-5]
Yayoi Kusama. You Who Are Getting Obliterated in the Dancing Swarm of Fireflies Mixed Media. The Phoenix Museum of Art, Phoenix, Arizona. Museum purchase with funds provided by Jan and Howard Hendler ( ). Photo by Ken Howie. Courtesy Yayoi Kusama Studio, Inc. [Fig. 1-5]

6. John Ahearn and Rigoberto Torres. Pat. 1982. Painted cast plaster
John Ahearn and Rigoberto Torres. Pat Painted cast plaster. 28-1/2 × 16-1/2 × 11 in. Courtesy Alexander and Bonin, New York. Collection Norma and William Roth, Winterhaven, Florida. Photo Courtesy of Sotheby's. [Fig. 1-6]
John Ahearn and Rigoberto Torres. Pat Painted cast plaster. 28-1/2 × 16-1/2 × 11 in. Courtesy Alexander and Bonin, New York. Collection Norma and William Roth, Winterhaven, Florida. Photo Courtesy of Sotheby's. [Fig. 1-6]

7. Nan Goldin. Cookie at Tin Pan Alley, New York City 1983, from the multimedia installation, The Ballad of Sexual Dependency Cibachrome print. 30 × 40 in. Courtesy of Nan Goldin and Matthew Marks Gallery, New York. © 2006 Nan Goldin, courtesy of Matthew Marks Gallery, New York. [Fig. 1-7]
Nan Goldin. Cookie at Tin Pan Alley, New York City 1983, from the multimedia installation, The Ballad of Sexual Dependency Cibachrome print. 30 × 40 in. Courtesy of Nan Goldin and Matthew Marks Gallery, New York. © 2006 Nan Goldin, courtesy of Matthew Marks Gallery, New York. [Fig. 1-7]

8. Attributed to Manohar. Jahangir in Darbar
Attributed to Manohar. Jahangir in Darbar. Mughal period, India, about Opaque watercolor and gold on paper. 13-3/4 × 7-7/8 in. Museum of Fine Arts, Boston. Francis Bartlett Donation of 1912 and Picture Fund Photograph © 2012 Museum of Fine Arts, Boston. [Fig. 1-8]
Attributed to Manohar. Jahangir in Darbar. Mughal period, India, about Opaque watercolor and gold on paper. 13-3/4 × 7-7/8 in. Museum of Fine Arts, Boston. Francis Bartlett Donation of 1912 and Picture Fund Photograph © 2012 Museum of Fine Arts, Boston. [Fig. 1-8]

9. Claude Monet. Le Pont de l’Europe, Gare Saint-Lazare. 1877
Claude Monet. Le Pont de l’Europe, Gare Saint-Lazare Oil on canvas. 25-1/4 × 31-7/8 in. Giraudon/Art Resource, NY. [Fig. 1-9]
Claude Monet. Le Pont de l’Europe, Gare Saint-Lazare Oil on canvas. 25-1/4 × 31-7/8 in. Giraudon/Art Resource, NY. [Fig. 1-9]

10. Kane Kwei (Teshi tribe, Ghana, Africa)
Kane Kwei (Teshi tribe, Ghana, Africa). Coffin Orange, in the Shape of a Cocoa Pod. c Polychrome wood. 34 × 105-1/2 × 24 in. Fine Arts Museums of San Francisco, Gift of Vivian Burns, Inc., [Fig. 1-10]
Kane Kwei (Teshi tribe, Ghana, Africa). Coffin Orange, in the Shape of a Cocoa Pod. c Polychrome wood. 34 × 105-1/2 × 24 in. Fine Arts Museums of San Francisco, Gift of Vivian Burns, Inc., [Fig. 1-10]

11. Karaori kimono. Middle Edo Period, Japan, c. 1700. Brocaded silk
Karaori kimono. Middle Edo Period, Japan, c Brocaded silk. length 60 in. Tokyo National Museum, Japan. [Fig. 1-11]
Karaori kimono. Middle Edo Period, Japan, c Brocaded silk. length 60 in. Tokyo National Museum, Japan. [Fig. 1-11]

12. Renzo Piano. Jean-Marie Tjibaou Cultural Center, Nouméa, New Caledonia
Renzo Piano. Jean-Marie Tjibaou Cultural Center, Nouméa, New Caledonia. 1991–1998. Nr. RP2-8 Centre Tjibaou, New Caledonia. © Hans Schlupp/archenova. Architect/Designer: Renzo Piano Building Workshop. [Fig. 1-12]
Renzo Piano. Jean-Marie Tjibaou Cultural Center, Nouméa, New Caledonia. 1991–1998. Nr. RP2-8 Centre Tjibaou, New Caledonia. © Hans Schlupp/archenova. Architect/Designer: Renzo Piano Building Workshop. [Fig. 1-12]

13. Pablo Picasso. Seated Bather (La Baigneuse). 1930. Oil on canvas
Pablo Picasso. Seated Bather (La Baigneuse) Oil on canvas. 64-1/4 × 51 in. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Mrs. Simon Guggenheim Fund. The Museum of Modern Art, New York, NY, U.S.A. [Fig. 1-13]
Pablo Picasso. Seated Bather (La Baigneuse) Oil on canvas. 64-1/4 × 51 in. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Mrs. Simon Guggenheim Fund. The Museum of Modern Art, New York, NY, U.S.A. [Fig. 1-13]

14. Kongo (Muserongo). Female Figure (nkisi nkonde)
Kongo (Muserongo). Female Figure (nkisi nkonde). Zaire, late 19th century. Wood, iron nails, glass, resin. height 20 in. The Stanley Collection, The University of Iowa Museum of Art, Iowa City, IA X [Fig. 1-14]
Kongo (Muserongo). Female Figure (nkisi nkonde). Zaire, late 19th century. Wood, iron nails, glass, resin. height 20 in. The Stanley Collection, The University of Iowa Museum of Art, Iowa City, IA X [Fig. 1-14]

15. Pablo Picasso. Study for Les Demoiselles d’Avignon
Pablo Picasso. Study for Les Demoiselles d’Avignon. Head of the Squatting Demoiselle Gouache and Indian ink on paper. 24-3/4 × 18-7/8 in. Réunion des Musées Nationaux / Art Resource, NY. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. [Fig. 1-16]
Pablo Picasso. Study for Les Demoiselles d’Avignon. Head of the Squatting Demoiselle Gouache and Indian ink on paper. 24-3/4 × 18-7/8 in. Réunion des Musées Nationaux / Art Resource, NY. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. [Fig. 1-16]

16. Pablo Picasso. Les Demoiselles d’Avignon. 1907. Oil on canvas. 8 ft
Pablo Picasso. Les Demoiselles d’Avignon Oil on canvas. 8 ft. × 7 ft. 8 in. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Acquired through the Lillie P. Bliss Bequest. The Museum of Modern Art, New York, NY, U.S.A. [Fig. 1-17]
Pablo Picasso. Les Demoiselles d’Avignon Oil on canvas. 8 ft. × 7 ft. 8 in. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Acquired through the Lillie P. Bliss Bequest. The Museum of Modern Art, New York, NY, U.S.A. [Fig. 1-17]

17. Tania Bruguera. Displacement, embodying a Nkisi Nkonde icon, 1998–99
Tania Bruguera. Displacement, embodying a Nkisi Nkonde icon, 1998–99. Cuban earth, glue, wood, nails / textile. Dimensions variable. Courtesy of Studio Bruguera. [Fig. 1-18]
Tania Bruguera. Displacement, embodying a Nkisi Nkonde icon, 1998–99. Cuban earth, glue, wood, nails / textile. Dimensions variable. Courtesy of Studio Bruguera. [Fig. 1-18]

18. Jan and Hubert van Eyck. The Ghent Altarpiece, c. 1432. 11 ft. 5 in
Jan and Hubert van Eyck. The Ghent Altarpiece, c ft. 5 in. × 15 ft. 1 in. Scala/Art Resource, NY. [Fig. 1-19]
Jan and Hubert van Eyck. The Ghent Altarpiece, c ft. 5 in. × 15 ft. 1 in. Scala/Art Resource, NY. [Fig. 1-19]

19. Jan van Eyck. God. Panel from The Ghent Altarpiece, c. 1432
Jan van Eyck. God. Panel from The Ghent Altarpiece, c Scala/Art Resource, NY. [Fig. 1-20]
Jan van Eyck. God. Panel from The Ghent Altarpiece, c Scala/Art Resource, NY. [Fig. 1-20]

20. Jasper Johns. Three Flags. 1958. Encaustic on canvas
Jasper Johns. Three Flags Encaustic on canvas. 30-7/8 × 45-1/2 × 5 in. Whitney Museum of American Art, New York; 50th Anniversary Gift of the Gilman Foundation, Inc., The Lauder Foundation, A. Alfred Taubman, Laura-Lee Whittier Woods, and purchase Art © Jasper Johns/Licensed by VAGA, New York, NY. [Fig. 1-21]
Jasper Johns. Three Flags Encaustic on canvas. 30-7/8 × 45-1/2 × 5 in. Whitney Museum of American Art, New York; 50th Anniversary Gift of the Gilman Foundation, Inc., The Lauder Foundation, A. Alfred Taubman, Laura-Lee Whittier Woods, and purchase Art © Jasper Johns/Licensed by VAGA, New York, NY. [Fig. 1-21]

21. Faith Ringgold. God Bless America. 1964. Oil on canvas. 31 × 19 in
Faith Ringgold. God Bless America Oil on canvas. 31 × 19 in. Faith Ringgold, © Faith Ringgold © [Fig. 1-22]
Faith Ringgold. God Bless America Oil on canvas. 31 × 19 in. Faith Ringgold, © Faith Ringgold © [Fig. 1-22]

22. Dread Scott. What Is the Proper Way to Display a US Flag. 1988
Dread Scott. What Is the Proper Way to Display a US Flag? Gelatin silver print of installation, U.S. flag, book, pen, shelf, audience. each 20 × 33 in. Courtesy of Dread Scott. [Fig. 1-23]
Dread Scott. What Is the Proper Way to Display a US Flag? Gelatin silver print of installation, U.S. flag, book, pen, shelf, audience. each 20 × 33 in. Courtesy of Dread Scott. [Fig. 1-23]

23. Andy Warhol. Race Riot Acrylic and silkscreen on canvas, four panels. each 20 x 33 in. © 2012 Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. [Fig. 1-24]
Andy Warhol. Race Riot Acrylic and silkscreen on canvas, four panels. each 20 x 33 in. © 2012 Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. [Fig. 1-24]