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Films of the 1950s Conformity and Rebellion. Anticommunism before WWII Fears of “premature anti-Fascists” such as Dorothy Parker, Dashiell Hammett, etc.

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Presentation on theme: "Films of the 1950s Conformity and Rebellion. Anticommunism before WWII Fears of “premature anti-Fascists” such as Dorothy Parker, Dashiell Hammett, etc."— Presentation transcript:

1 Films of the 1950s Conformity and Rebellion

2 Anticommunism before WWII Fears of “premature anti-Fascists” such as Dorothy Parker, Dashiell Hammett, etc. before WWII Support for republican Spain during the 1937 Spanish Civil War House Un-American Activities Committee (HUAC) chaired by Martin Dies in 1940. WWII pro-Soviet films: Mission to Moscow, Song of Russia

3 Postwar Anticommunism HUAC chaired by J. Parnell Thomas calls “friendly” witnesses such as Gary Cooper, Ronald Reagan, and Walt Disney. “Unfriendly” witnesses: the Hollywood Ten, including Alvah Bessie, Ring Lardner Junior, Dalton Trumbo, among others, sought to assert their constitutional rights and invoke the First Amendment. Result: being blacklisted

4 1950s April through June 1954: Army-McCarthy hearings were broadcast upon Senator Joseph McCarthy’s accusations of Communists in the State Department. The pro-Soviet films of the war years gave way to anti-communist films such as The Red Menace Naming names

5 Protests in Film Science fiction: Invaders from Mars, Invasion of the Body Snatchers Westerns: High Noon, Johnny Guitar On the Waterfront, written by Budd Schulberg: corrupt union [Communist leadership] tries to break the individual (Marlon Brando) who courageously names names.

6 Protests against Social Injustice Gentleman’s Agreement (1947), anti- Semitism. Border Incident (1949), exploitation of Mexican immigrants Giant (1954), protesting racism Imitation of Life (1934 and 1959), racism and racial passing Storm Warning (1951), against the Ku Klux Klan

7 The Two Sides of Suburban Domesticity Mr. Blandings Builds His Dream House (1948): comedy All That Heaven Allows (1954): domestic melodrama directed by Douglas Sirk that uses Thoreau’s Walden as a means of protesting the stifling conformity of middle-class consumerism.

8 A Place in the Sun Based on Theodore Dreiser’s An American Tragedy (1925), which was based on the Chester Gillette-Grace Brown case of 1906. Film version directed by Josef von Sternberg, An American Tragedy (1931). Dreiser sued Paramount. http://www.wsu.edu/~campbelld/amlit/dreiser.h tm http://www.wsu.edu/~campbelld/amlit/dreiser.h tm Protagonist caught between classes and trying to live the American dream.


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