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Published byNikolas Reader Modified over 9 years ago
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De Stijl Dutch for “The Style” (also known as Neoplasticism) 1917-1931
Sought to express a new utopian ideal of spiritual harmony and order. They advocated pure abstraction and universality by a reduction to the essentials of form and colour — they simplified visual compositions to the vertical and horizontal directions, and used only primary colors along with black and white. Goal: to create a precise, mechanical order lacking in the natural world. Piet Mondrian, Composition With Yellow, Blue and Red,
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Piet Mondrian, Composition No. 10, 1939-42.
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Piet Mondrian, Broadway Boogie Woogie, 1943.
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Mondrian, Evening, 1908. 4
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Mondrian, Blue Tree, 1908. 5
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Mondrian, Gray Tree, 1911. 6
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Mondrian, Horizontal Tree, 1911.
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Mondrian, Flowering Tree, 1912.
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Mondrian, Composition in Blue, Gray, and Pink, 1913.
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Gerrit Rietveld De Stijl Chair, 1917.
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Gerrit Rietveld, Schroder House, 1923-24.
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Matt Curless, Mondrian Chair, 2005. NEO-DE STIJL
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Bauhaus German style movement from 1919-1933
All of the Bauhaus directors were architects. (“The ultimate aim of all creative activity is a building”) Walter Gropius, Founder Bauhaus Logo
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20th Century contributions include the CANTILEVER CHAIR
Bauhaus 20th Century contributions include the CANTILEVER CHAIR
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Mies Van Der Rohe Seagram Building, 1958.
“LESS is MORE”
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Empire State Building
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Malevich and SUPREMATISM
Malevich, Self-Portrait, 1933. Malevich, Supremism, 1916.
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Malevich and SUPREMATISM
The object in itself is meaningless... the ideas of the conscious mind are worthless''. What Malevich wanted was a non-objective representation, “the supremacy of pure feeling.'' Malevich, Self-Portrait, 1933.
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Malevich, Black Square, 1913.
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Malevich, Supremist No. 58, 1916-17.
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Frank Lloyd Wright Considered best architect of last 125 years
Known for ‘Prairie Style’ architecture
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Frank Lloyd Wright, Darwin D. Martin House, 1904.
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Frank Lloyd Wright, Robie House, 1906.
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Frank Lloyd Wright, Guggenheim Museum, 1937.
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