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1 Lecture 3: Make It Fresh Professor Daniel Cutrara Aliens (1986) Story by James Cameron, David Giler, and Walter Hill, Screenplay by James Cameron.

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Presentation on theme: "1 Lecture 3: Make It Fresh Professor Daniel Cutrara Aliens (1986) Story by James Cameron, David Giler, and Walter Hill, Screenplay by James Cameron."— Presentation transcript:

1 1 Lecture 3: Make It Fresh Professor Daniel Cutrara Aliens (1986) Story by James Cameron, David Giler, and Walter Hill, Screenplay by James Cameron

2 Previous Lesson Scene Fundamentals Scene Analysis Casablanca (1942) Written by Julius J. Epstein, Philip G. Epstein, and Howard Koch

3 This Lesson Genre and Structure Conventions as Creative Limitations Reinventing Genre Mixing Genres Assignments

4 4 Genre and Structure Lesson 3: Part I “To anticipate the anticipations of the audience you must master your genre and it’s conventions.” - Robert Mckee - Robert Mckee

5 Genre and Structure According to McKee: –Each genre imposes conventions on story design. –Conventions are specific settings, roles, events and values that define individual genres and their subgenres. –To satisfy your audience you must master your genre. 5

6 Audience Expectations Conventions must be followed because: –Audiences go to movies with expectations that must be met. Horror, Action, Adventure, Mystery –However, you can “break” conventions with well constructed “inventions” that will surprise and please your audience. 6

7 An Invention The Horror convention where the hero and audience believe the monster is dead, but the monster really isn’t, became standard for thrillers and action movies in the 90’s. 7 Scream (1996) Written by Kevin Williamson

8 Conventions as Creative Limitations 8 Lesson 3: Part II The Age of Innocence (1993) Edith Wharton (Novel) Jay Cocks and Martin Scorsese (Screenplay)

9 Convention Categories Settings –Historical, future, war, medical… Roles - type of characters expected –Nobles, aliens, detectives, arch-villains… Events –Love at first sight, a crime, a chase… Values –Love conquers all… 9

10 Creative Limitations According to McKee: –The principle of creative limitations calls for freedom within a circle of obstacles. –Genre conventions are the “rhyme scheme” of a storytellers “poem.” –Genre convention is a Creative Limitation that forces the writer’s imagination to rise to the occasion. 10

11 Reinventing Genres 11 Lesson 3: Part III

12 Reinventing Genres - 1 “Genre conventions are not carved in stone, they evolve, grow, adapt, modify, and break apace with the changes in society.” (According to McKee.) 12

13 Reinventing Genres - 2 The Western has shifted from the simplistic portrayal of good settlers versus bad indians in films like John Ford’s 1939 Drums along the Mohawk to the exploration of flawed humanity in the HBO series Deadwood, created by David Milch. 13

14 Mixing Genres 14 Lesson 3: Part IV

15 Mixing Genres Bringing different genres together in one story allows for fresh and exciting storytelling. However, if it isn’t done well, it can lead to a failed screenplay. Depending on the mix, Hollywood can find it difficult to market. –Boys on the Side - Road Story turns Aids Drama 15

16 Mixing Genres - Alien Pause the lecture and watch the clip from Alien. What genre(s) are present in this scene? What elements of the storytelling create the genre conventions? 16

17 Mixing Genres - Alien (continued) Alien contains elements of Sci-Fi and horror. These can be found in the following: –settings, roles, events, values Horror is also communicated through the direction. 17

18 Conventions - Alien Settings –Sci Fi - spaceship –Horror - enclosed space - like Haunted House Roles –Sci Fi - scientists, explorers –Horror - the preyed upon victims Events –Sci Fi - encountering aliens –Horror - encountering monsters 18

19 Conventions - Alien (continued) Values –Sci Fi - knowledge of new species –Horror - survival of the human species 19

20 The Action Description - Alien Mood is created through the action description. –Lighting: shadows, enclosed spaces –Setting: stark, mechanical –Pacing: the slow build up of tension –Point of view: when we see what the character sees and when we see more 20

21 Mixing Genres 2 Pause the lecture and watch the clip from Aliens. What genre(s) are present in this scene? What elements of the storytelling create the genre conventions? 21

22 Mixing Genres - Aliens Aliens contains elements of Sci-Fi and Action. These can be found in the following: –settings, roles, events, values Action is also communicated through the direction. 22

23 Conventions - Aliens Settings –Sci Fi - Colony in another solar system –Action - A devastated colony Roles –Sci Fi - Space Marines –Action - Space Marines Events –Sci Fi - The encounter with an alien species –Action - Battling the alien species 23

24 Conventions – Aliens (continued) Values –Sci Fi - saving the human race –Action - saving the human race 24 Aliens (1986) Story by James Cameron, David Giler, and Walter Hill Screenplay by James Cameron

25 The Action Description - Aliens Action requires a different mood from horror. –Lighting; not the ominous look of horror. The Marines bring the light into the darkness. –Setting: the weather and the structures are embattled. –Pacing: fast, energetic, not the slow build of horror. –Point of view: we see the bigger picture. 25

26 The Alien Franchise The same story can be told in different genres, and mix of genres, however, the genre choices help define the uniqueness of each story. 26 Alien Resurrection (1997) Written by Josh Whedon

27 The Importance for Hollywood The Market - Hollywood identifies genre markets, caters to them, and works to sustain them over time. 27

28 The Challenge for the Writer Genre demands Mastery Genre imposes Creative Limitations 28

29 29Assignments Lesson 3: Part V

30 30 E-Board Post #1 What genre or genres does your script fit? Explain why? Is this the best genre to tell your story?

31 31 E-Board Post #2 Choose one of your peer’s analysis of their genre and post a comment. You can affirm their analysis and/or raise questions and offer suggestions.

32 End of Lecture 3 End of Lecture 3 Next Lecture: Subplots and Secondary Characters Aliens 3 (1992) Story by Vincent Ward Screenplay by David Giler, Walter Hill and Larry Ferguson


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