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Published byBernardo Coby Modified over 9 years ago
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Realism in the Visual Arts 1830 - 1870
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Characteristics Response to Industrial Revolution Depict a real scene with journalistic detail Workers/ordinary people More horizontal compositions Shows a real moment i.e. half a person on the edge of frame
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Adolph Friedrich Erdmann Von Menzel Iron Mill (Das Eisenwalzwerk – Moderne Zyklopen) 1875. Oil on Canvas.
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Käthe Kollwitz March of the Weavers from the series "The Weavers Cycle“ 1897. Print on etching
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Photography “Writing with light” Authentic record of the past Created a dilemma for artists Imitate nature – no photography Capture nature – photography Shunned early on Primarily used for portraits and mugshots
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THOMAS ANNAN CLOSE, No 28 SALTMARKET (1868) Photograph
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Julia Margaret Cameron
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Mathew B. Brady
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Jean-Francois Millet The Gleaners 1857, Oil on canvas
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Gustave Courbet The Stone-Breakers 1849. Oil on canvas.
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Gustave Courbet Burial at Ornans 1849 – 1850. Oil on canvas. 10 ft. 3 in. x 21 ft. 9 in.
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Edouard Manet Luncheon on the Grass (Dejeuner sur l’herbe) 1863. Oil on canvas.
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Edouard Manet Olympia 1863. Oil on canvas.
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Winslow Homer The War for the Union: A Bayonet Charge Published in Harper’s Weekly, July 12, 1862.
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Winslow Homer The Gulf Stream 1899. Oil on canvas.
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John Gast Manifest Destiny 1872
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Skyscrapers William LeBaron Jenney Home Insurance Building, Chicago, IL, 1883 Sullivan and Adler Guaranty Building, Buffalo, 1894-95
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