1. Disguise and Dissimulation

2. OR “How does Much Ado About Nothing fit into the course theme?”

3. The “transformations” seem superficial – Trickery and concealment (disguises and mistaken identities) – Performance (secrets and stageplays) – Sudden emotional shifts

4. Like The Metamorphosis... Very sudden changes – Almost immediate “changes of heart” (radical shifts in behavior and beliefs) The sense that these “transformations” may reveal a truth (about a character, about an institution) – We might see people “as they really are”—or not

5. Does the transformation reveal the “true self”? Does a true self even exist? Or is it all, in the end just performance? Do we become who we are through our actions? Through our daily performances?

6. Extended Metaphor All the world’s a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse’s arms. Then the whining schoolboy with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow.... William Shakespeare, As You Like It, 2.7