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Chapter 24 Italy & Spain 1600-1700 Baroque & Rococo Art
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Caravaggio Tenebrism Naturalized religious imagery Makes viewers active participants Chiaroscuro Dramatic & theatrical
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Velazquez Major patron king Philip IV (Hapsburg) Wanted prestige, thought of himself as royalty Caravaggio an influence “Las Meninas” most renown of his works Genre painting A Spaniard
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ROCOCO Came with the French, aristocratic surge of power Softer style primarily seen in interior design Rococo = rocaille = shells & stones which were used to decorate interiors
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Maderno, Santa Susanna, Rome, 1603
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Maderno, Saint Peter’s, Vatican City, 1612
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Aerial view, St. Peter’s, Piazza designed by Bernini, 1667
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Bernini, Baldaccino, St. Peter’s, 1633
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Bernini, Scala Regia (Royal Stairway), Vatican City, 1666
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Bernini, David, 1623
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Bernini, Ecstast of St. Teresa, Cornaro Chapel, 1652
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Borromini, San Carlo alle Quattro Fontane, 1667
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Borromini, San Carlo alle Quattro Fontane, dome, 1641
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Borromini, Chapel of Saint Ivo, Rome, 1642
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Carracci, Flight into Egypt, 1604
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CarracciLoves of the Gods, 1601
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Caravaggio, Conversion of St. Paul, 1601
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Caravaggio, Calling of St. Matthew, 1601
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Caravaggio, Entombment, 1603
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Gentileschi, Judith Slaying Holofernes, 1620
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Cortona, Triumph of the Barberini, 1639
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Battista Gaulli, Triumph of the Name of Jesus, 1679
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SPAIN
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Ribera, Martyrdom of Saint Philip, 1639
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Zurbaran, Saint Serapion, 1628
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Velazquez, Water Carrier of Seville, 1619
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Velazquez, King Philip IV of Spain, 1644
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Velazquez, Surrender of Breda, 1635
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Velazquez, Las Meninas, 1656
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