2. Begins on page 96 Chapter 11 Oratorio and Cantata

3. Oratorio  Lengthy work for voices and orchestra  Consisting of ► Recitatives ► Choruses ► Arias

4. Handel’s Messiah  Contains 53 sections ► 16 recitatives ► 19 choruses ► 16 arias ► 2 for orchestra ► Three hours long Copyright © 2010 by Schirmer Cengage Learning

5. Aria  Accompanied vocal solo in oratorio, cantata, or opera  Rather long  Accompanied by orchestra  Often contains showy passages  Repeats words

6. Aria  Presents one idea  Have form; A B A most common  Strict metrical rhythm  Memorable melodies

7. Aria  Handel’s “Ev’ry Valley Shall Be Exalted” from Messiah ► Virtuoso runs on “exalted” ► Text painting on “the crooked straight” and “mountain” and “low” ► A B A B form, with introduction and closing section

8. The Chorus  Sung by a chorus  Somewhat lengthy  Often repeats words  Strict rhythm  Accompaniment important  Not always easy to sing well  Often contrapuntal with imitation

9. Handel: “Hallelujah Chorus” from Messiah  Well-known work  Important words occur on important beats  Contains text painting  Contains imitation

10. Chorale  Hymn for Lutheran church  Sung by congregation  Sung in German  Simple melody  Strophic  Steady rhythm

11. Chorale  Chorale melodies were harmonized by Bach and other composers  Also served as themes for organ works and cantatas

12. Cantata  Contains recitatives, choruses, and arias  Much shorter than oratorio  Performed in worship service  Several parts contain chorale melody  Bach: Cantata No. 140, Part IV “Zion Hears the Watchmen”

13. Summary  Oratorio  Handel’s Messiah  Aria ► Handel: “Ev’ry Valley” from Messiah  The Chorus ► Handel: “Hallelujah Chorus” from Messiah  Chorale  Cantata ► Bach: Cantata No. 140, Part IV “Zion Hears”